Thursday, December 8, 2022

Some Notes on Errol Morris's AMERICAN DHARMA

 AMERICAN DHARMA is Errol Morris's documentary on Steve Bannon, which was essentially "un-released' for a couple of years after its festival premiere.  Find Wikipedia here, IMDB here.  Amazon here (includes trailer).  Trailer also here.  (New Yorker slammed it, here.)

I recently ran across the 2021 American Masters PBS podcast interview with Morris about Bannon and the film, which I really enjoyed, and it sent me back to a second viewing of American Dharma.

  • If you have time for one thing on this page, just listen to the podcast.

If you want to appreciate the film, if you're a big fan of Errol Morris, here's my advice:  

The film is unusual indeed:  Morris recreates the entire sound stage of a 1940's war film, 12 O'Clock High (Gregory Peck), and Morris edits his documentary based on filming days of interviews with Bannon on that strange (faux) movie set.  Talk about thinking outside the box.

To really understand American Dharma, you would bring this toolkit to the viewing:

  • Watch "Twelve O'Clock High."
  • Watch "The Fog of War," Morris's award-winning film about McNamara and Vietnam.
    • Both films are referred to closely in the movie.  And much of the movie pivots around, returns to, "Twelve O'Clock High."
    • Crazy fact;  Bannon loved "Fog of War," having seen it at Telluride, and it was one of his motivations to enter politics.
  • You would have seen the more conventional movie documentary about Bannon,"The Brink."  Review.
  • Listen to the American Masters podcast.
    • Not necessarily, but helpful, an essay or book about what "the world of the internet" is, such as Virginia Heffernan's "Magic and Loss."

I had stumbled on the podcast, and I'd seen the other movies over the years, except for 12 O'Clock High, which I saw on Amazon before watching DHARMA.  With the podcast and with 12 O'Clock High fresh in mind, I really enjoyed DHARMA in a rich way on second viewing.

Sunday, November 27, 2022

Mystery of Peter Finch's Birth Year: 1912 or 1916?

Recently, I made a short video about Peter Finch's memorial marker at the Hollywood Forever cemetery in Los Angeles.  The marker says 1912 birth year, but nearly all other sources say 1916.   

1916 was the accepted birth year when Peter Finch died in 1977 (see all the obituaries).  And two biographies soon appeared, in 1979/1980, with many pages and details about his early years -- all constructed around a 1916 birthday.

Yet, from Find-A-Grave photos, it appears the family changed the crypt's birth year from 1916 to 1912, maybe around 2002 (below).  

It seems very unlikely that the family would do that without good information, doesn't it? But it 'blows up' the biographies to do so.

The Accepted Story

The accepted information is this.  From Wikipedia entry to the two main biographies, Faulkner: Peter Finch.  and Dundy: Finch Bloody Finch.  (See also a remarks about Peter's upbringing in his second wife's memoir, Yolande Finch/Finchy.)  

By any measure, Peter Finch's first 15 years were a whirlwind and global series of events.

Peter's legal father was George Finch, born in Australia and educated in chemistry in Zurich and London, arriving in London in 1912.  *His* parents were Laura and Charles Finch, Peter's grandparents, who become important shortly.   

George Finch came to London in 1912 and married Alicia (Betty) Fisher in 1915.   Peter was born in September 1916, but his birth not recorded until 1917 for reasons unknown.   

George Finch was soon convinced baby Peter's real father was one Jock Campbell.   George Finch snatched away Peter at age 2 in 1918, and got a divorce (on grounds of "uncontested adultery") in 1920.   

After 1920, though legally in care of his now-divorced father, Peter was raised in the early 1920s mostly by his grandmother Laura, who now lived in Vaucresson (west of Paris, near Versailles).   Laura was by now permanently separated from her husband Charles Finch, who had returned to Australia.   

Peter was sent to Australia in the mid 1920s, possibly during a trip to India with Laura.   So by the mid 1920s, Peter was being raised by his 83-year-old grandfather Charles Finch in Sidney, along with grandfather's sister.  These two both died, and Peter was passed on to another of Charles' sisters, whom he described as wicked.   

Most sources suggest Peter soon spent several years as an Australian ranch hand, then, became a "cub reporter" to the Sidney Herald, and then, got into acting via a brief period in radio announcing. 

1912 or 1916?  Age 2 or 6?  Age 6 or 10?  

If, as the current family gravestone indicates, Peter was born in September 1912, it would seem to be before his mother Alicia had met either biological father Campbell or legal father Charles Finch.  (And this pushes his concept to January 2012).

And on the 1912 timeline, his mother would have brought a 3 year old boy into the 1915 marriage to Finch.   And Peter would have been 6, not 2, when as the story says, he was snatched from his playpen by his legal father in 1918.   Peter would become 8, not 4, when his parents divorced in 1920.   

Both biographies have a couple (different) dated pictures of the young Peter Finch, but it's hard for me to tell if he's more likely to be (say in 1924) to be 8 year old big for his age or a prepubertal 12 year old small for his age.

A few final clues.  One biography says that Charles Finch never talked about Peter's paternity or infancy.  And several sources note that his birth certificate was issued, at least, a year late in 1917. 

A few web sources that are built around the grave itself, like Find A Grave, do list the birth year as 1912, like the current marker, and not 1916, like all the books and like the first marker.  

Campbell Story Seems Secure?

After 1920, newly divorced Alicia Finch soon married Jock Campbell and they had a long marriage together into the 1950s.  

Yolande Finch asserts in her memoir that Alicia Finch Campbell wouldn't discuss Peter's origins.

But in contrast, at least one of the biographers interviewed Finch's mother and she was happy to acknowledge her and Campbell's parenthood of young Peter.  

One of the biographies describes Peter Finch passing time with the Campbells in the 1950s, and they happily discussed his paternity and indeed, in some speeches Peter described himself as a proud Campbell for Scottish audiences.   

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Find a Grave, "new plaque 2002."  https://www.findagrave.com/memorial/337/peter-finch/photo


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The 2 biographies and the Yolande memoir were all at the LA Public Library; all are also available for a few dollars on Amazon.


Wednesday, November 16, 2022

Yes Virginia, There Is A Bill W

There is a famous newspaper editorial, from the 1890s, where the editor tells a little girl named Virginia, "Yes, Virginia,There Is A Santa Claus."  

Here is a parody, closely following the original Santa Claus letter, but replaced by "Bill W."  It's from the 1990s.  (In fact, the original 1897 is updated to 1997].


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YES, VIRGINIA, THERE IS A BILL W

Until we are seven or eight years sober, we believe in Bill W. Then, many begin to believe they are now grown-ups, and to have their doubts. One winter day in 1997, a New York AA, Virginia O'H., asked her sponsor whether there was really a Bill W.

As she recalled many years later, her sponsor wavered, and then Virginia hit upon the answer herself. "If you read it in the Grapevine, it's true", they had often said, and little Virginia wrote this oft-reprinted letter:


Dear Editor:

I am 8 years sober. Some of my little AA friends say there is no Bill W. My sponsor says, "If you read it in the Grapevine, it's true". Please tell me the truth. Is there a Bill W? Virginia O'H.

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Her little letter found its way into the hands of a senior editor of the Grapevine. His reply caused an immediate sensation, and has been reprinted countless times in local newsletters all over the world.

Here it is:

Virginia, your little friends are wrong. They have been affected by the scepticism of a skeptical age. They do not believe except what they see. They think that nothing can be, which is not comprehensible by their little minds. All minds, Virginia, whether sponsors or sponsees, are little, compared with the boundless miracles of sobriety around us.

Yes, Virginia, there is a Bill W. He exists as certainly as love and generosity and coffee exist, and you know that they abound. Alas, how dreary sobriety would be if there were no Bill W!

As dreary as if there were no Virginias. There would be no childlike faith then, no poetry, no romance to make tolerable this existence. The light with which childhood fills the world would be extinguished.

Not believe in Bill W! You might as well not believe in a higher power! You might get your sponsor to have big book nazis watch all the meetings on Christmas eve, but even then, if you did not see Bill W. in a corner, what would that prove? The most real things in the world are those that neither children nor sponsors can see.

You can tear apart a baby's rattle to see what makes the noise inside, but there is a veil covering the Steps and the Higher Power that not even the united strength of all the sponsors in the world can tear away. Only faith, love, romance, can push aside that curtain, one day at a time. Ah, Virginia, there is nothing in the world, so real and abiding. No Bill W! Thank god, he lives, and a thousand years from now, will continue to make glad the hearts of newcomers.   

THE EDITOR.


https://tinyurl.com/yesvirginiabillw

Sunday, October 23, 2022

Several Recent Interesting Podcasts

A few podcasts that I've heard and enjoyed recently.

  • 99 Percent Invisible
    • This podcast has been around for years and covers urban life and the built world in diverse aspects.  Homepage here.
    • See #512: Hollywood Walk of Fame.  Blog and entry to podcast here. With Gillian Jacobs.  
    • Also, discusses forgotten woman director from 1930s, 1940s, Dorothy Arzner.
  • Greg McKeown Podcast.
    • Author of "Essentialism."  
    • See home page for all 140-plus podcasts (and transcripts) here.
    • Sort of in the self-improvement vein but more interesting than that sounds.   #9, with Eve Rodsky, discusses her book FAIRPLAY, which is sort of at the juncture of mediation theory, negotiation theory, and maybe couples counseling.  Enjoyed.   #22, with Gretchen Ruben, The HAPPINESS PROJECT, about how to focus on what you really want to do, better.   She notes that different personalities respond differently to externally set goals and internally established ones, and spins this in really interesting ways. Webpage.  #60, author Luke Burgis discusses his book WANTING (which I had read), about how we have strong or primal instincts to model our goals and behaviors on others, but this can turn dysfunctional.   
  • Business Wars.
    • See website here.
    • Elaborately produced podcasts, typically in a story series of 5 or 6, with voices like a radio play, describing some famous business competition.
    • I've listened to "Ben and Jerry's vs Haagen Dazs" and  "Hershey vs Mars."  Enjoyed both.
    • I'm not quite sure the business model; you may get them faster or without ads from a company called Wondery but they become available on standard free podcast streamers as well.  
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Every week I check what's new at two interview podcast, NPR Fresh Air with Terry Gross, and WTF with Marc Maron.   Two other interview podcasts I check every month or so are Conan (O'Brien) Needs a Friend and Rob Lowe's Literally!   Authors discuss Harvard biz school new case studies at "Cold Call."   





Friday, July 22, 2022

Freud: Some Remarks on Aging

I recently ran across a reference to a 1972 book, Dr. Max Schur's "Freud: Living and Dying."  Schur, who lived from around 1895 to 1970, was Freud's own physician in the 1920s and 30s, when Freud was progressively more handicapped by oral cancer.   The book is a complete view of Freud's life, with commentaries on key books from Schur's perspective.  There is also a special focus on the late years when Freud suffered from cancer, diagnosed in 1923 and ending with Freud's death in London in 1939.

Schur first met Freud when Schur was a medical student in Vienna in 1915 and attended a two-year series of lectures by Freud, then around 58 (b. 1856).

In June 1923, Freud (then 67) wrote physician colleagues about his first cancer surgery.  "There is nothing to say that you yourselves couldn't know or expect.  The uncertainty that hovers over a man of 67 has now found its material expression.  I don't take it very hard; one will defend oneself for a while with the help of modern medicine and then remember Bernard Shaw's warning:  Don't try to live forever, you won't succeed." [p. 358]

Chapter 15 "Adjusting to Pain and Illness" (p. 377ff) is too long to quote in full, but I include a few quotes in part.  The oral cancer and multiple surgeries and radiotherapies were difficult both because of the pain itself and also the severe difficulties in basic speaking and swallowing creating by the resected spaces.   1924.  "In his daily life, he maintained not only the greatest self-control and dignity, but acquired a serenity which had an impact on everyone.  Once again, all this was achieved at a price.  Freud was forced to change his way of life in many respects.  He could no longer attend meetings of the Vienna Psychoanalytic Society...[Letter to Eitingon] "You belong to those who refuse to believe I am no longer the same man...In reality...the right thing to do would be to give up all work and obligations and wait in a quiet corner for the natural end...My way of eating does not permit any onlookers."  Freud did not want to be asked about his health...was appreciative if friends did not inquire."   379: "Saturday and Sunday for the first time in my medical career I had to stop work over the weekend."

In 1939 he was resettled in London.  "During August everything went downhill rapidly."  His dog would not approach him, due to odor from decaying oral cancer; "Freud knew what this meant and looked at his pet chow with a tragic and knowing sadness."  

On page 527, a famous quote. Asked by Schur, do you believe this will be the last war?, Freud replied dryly, "My last war."  

528, Freud reads a short story by Balac, "La Peau de Chagrin," in which the protagonist dies.  In Freud's last weeks, Schur recalls a letter about his father written by Freud in 1896:  "He is steadily shrinking towards...a fateful date."

On page 529, Freud dies.   Schur facilitated this with morphine at the end.  Schur closes his book with a quote from Freud in Freud's essay, "Thoughts on Times of War and Death":  "Towards the actual person who has died we adopt a special attitude, something like admiration for someone who has accomplished a very difficult task."


__

Regarding his lifelong nicotine addiction, he wrote his doctor in 1893, "I am not obeying your smoking prohibitions; do you really consider it such a great boon to live a great many years in misery?"

Freud was prone to "cardiac attacks" and arrhythmias which may have been related to excessive nicotine or panic attacks about mortality (p. 40; other locations).  






Monday, July 4, 2022

Free Music for YouTube Videos

 On July 4, 2022, I issued a 3 minute video overview of free music for YouTube videos.  Here's a summary of the links I discussed.


https://www.youtube.com/watch?v=NxqZPEedwAw

I use music both with my business videos (such as intro music) and for my entertainment videos, which might have soundtracks that are all music, no narration.

Business Channel

https://www.youtube.com/user/brucequinn

Personal Channel

https://www.youtube.com/channel/UCQFeWyTpzYGJbYc1vXg7GZQ

Since I've seen videos describing other people's nightmare problems with copyright (even causing YouTube closure), I'm careful with copyrighted music.

Links mentioned - Notes that each website may have its own rules. For example, I think Uppbeat has (1) registration, (2) several free downloads per month, (3) each download must get its own code link which you must display in your video notes. Check each website for current rules.

https://unsplash.com/ photos https://www.pexels.com/ photos videos https://pixabay.com/ photos videos music; many ads for iStock https://www.rawpixel.com/ Rawpixel has a "public domain" setting which serves up historical pictures (as well as modern ones). https://mixkit.co/ Mixkit is related to "ENVATO" subscription media resources: ( While poking around free sites is fun, an ENVATO subscription may be practical for regular creators. Circa $20/mo. )

https://www.envato.com/ https://incompetech.com/music/royalty-free/music.html https://audionautix.com/ Entry point for Creative Commons: https://creativecommons.org/about/program-areas/arts-culture/arts-culture-resources/legalmusicforvideos/ For Creative Commons, public domain, see also IMSLP https://imslp.org/wiki/Main_Page And see https://freemusicarchive.org/genre/Europe/ https://uppbeat.io/ https://www.scottbuckley.com.au/ https://www.freesoundmusic.eu/ https://www.youtube.com/c/FreesoundMusic My "YouTube Music Studio Mix Tape" sampler of some YouTube music (unlisted video). Note if you open the text box on this video, it's time indexed for each track. https://www.youtube.com/watch?v=_lw9AEFs5Qo


In the video, I also discuss that your editor may have music options.  (In my editor, Filmora 11, I click the top bar for AUDIO which accesses both music tracks and sound effects).  In YouTube, if you have a YouTube channel, click on your channel in upper right, then select YouTube Studio.  Now, go to the far left and scroll down until you see Audio Library.  Here, you have a few hundred tracks good-to-go for YouTube videos (some require written credit in your notes).

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Side notes.

For interesting and lively videos on how modern composers used computers and instrument synthesizers, see Guy Michelmore:

https://www.youtube.com/channel/UCMHG0rJtVF1LohiP63FJakw

Not directly related to copyright-free, but examples of really nice music found on YouTube - guitar -

Here's a lesson from "Active Melody," the first 60 seconds are a nice tune.

https://www.youtube.com/watch?app=desktop&v=bhFiongPpbQ