Tuesday, December 28, 2021

Books and Films CY2021

For my business strategy blog, Discoveries in Health Policy, click here.

PDF of 2021 here.  For earlier book lists, see 2015 here, 2016 here, 2017 here, 2018 here, 2019 here, 2020 here.  

BUSINESS STRATEGY

Conflicted (Ian Leslie)

HISTORY - POLITICS

The Lost Cafe Schindler (Meriel Schindler); Republican Rescue (Chris Christie).

BIOGRAPHY

A Reason for the Darkness of the Night (on Edgar Allan Poe; John Tresch), 

and In and Of Itself (book & film; Derek DelGaudio)

ESSAYS

Everything in its Place (Oliver Sacks); Joan Didion

SCIENCE & TECHNOLOGY

A History of the Index (Dennis Duncan), and A Place for Everything (Judith Flanders).

And related to these, works by or about Eugene Garfield (see below).

FILM AND TELEVISION  



# # BUSINESS STRATEGY

Conflicted, by Ian Leslie.  This is a very well written guide to difficult conversations and how people set and change their minds.   It could be filed under business strategy, under "running successful meetings," under "negotiations," and is relevant to managing up, managing laterally, and managing down.  There are shelf-fulls of books with titles like "Difficult Conversations," the value of Conflicted is its broad view, fact- and example-based style, and good writing.   There are also some surprises (a discussion of negotiations at Waco/Branch Davidians, for example, is fascinating and likely to be unknown to almost all readers).  

# # HISTORY / POLITICS

It took me several years to catch up to 2012's non-fiction bestseller, "In the Garden of the Beasts," by Erik Larson, about life in the US Ambassador's house in Berlin in the mid 1930s.   

This year one of my favorites was a sister book, "The Lost Cafe' Schindler," by Meriel Schindler.  Schindler is a modern-day, middle-aged attorney in London whose grandfather was a prominent Jewish-Austrian restauranteur and self-made man who was forced to flee Austria and the Nazis in the late 1930s.  A missing link was Meriel's father, who spoke unreliably about the family's history, in grandiose and poorly cohesive fragments.  She reconstructs her family's history of several decades and brings alive the context of the 1920s and 1930s.  Full of interesting characters.  

On a different note for politics and history, I enjoyed the audiobook of Chris Christie's "Republican Rescue." Narrating himself, Christie uses the first half to tell the tales of his often weird encounters with the Trump administration.  In the second half, he gives us a fly-by of his national policy views, in case he runs for President.  

# # BIOGRAPHY

I have liked Edgar Allan Poe since high school and once dragged my daughters to his cottage (now a museum) in the Bronx.   Here's a new biography, "A Reason for the Darkness of the Night," by John Tresch.  It serves as a full biography of Poe's life, but focuses especially on his interests in technology and engineering, where his skills and training were significant.   

I recall in med school running across Poe's essay on an early form of copying (anastatic printing), which I shared with Eugene Garfield, the remarkable entrepreneur and information scientist, and got a nice letter back.   (More on Garfield below).

A wild and memorable autobiography is told in magician Derek DelGaudio's story of life on the stage and life on the dark side, "Amoralman," retold on film as "In and Of Itself."  This remarkable stage show and memorable film ranked as one of my my favorite movies of the year.   

ESSAYS

As the December holidays came, I ran across a library copy of the audiobook of "Everything in its Place," the last collected essays of Oliver Sacks (2019).  It's quite enjoyable, in the audio format comprising 8 hours of diverse essays, a sampling of his topics to include libraries, kuru, Spalding Gray, and the elephant's gait (hint: Muybridge appears).  See also the fine 2019 film, "Oliver Sacks, His Own Life," and his 2015 autobiography, On the Move.  

Cannot write about books in December 2021 and not mention Joan Didion.   The Los Angeles Times is awash in articles about her this week (here), and there were displays of flowers at her family's house on Franklin Street (1966-1971), near Runyon Canyon, by the Hollywood Hills.  I point people to her 1969 essays about the sixties - "Slouching Towards Bethlehem" - and her 1970's essays, "The White Album."  Less famous but enjoyable reading for me are her husband's books, John Gregory Dunne, which are available in ebooks (though none in audiobooks). See e.g. The Studio, about his year behind the gates at Fox Studios.   See also the excellent film about Didion The Center Will Not Hold (Netflix, 2017).

SCIENCE & TECHNOLOGY

A History of the Index (Dennis Duncan), and A Place for Everything (Judith Flanders).  And related to these, works by or about Eugene Garfield.

Some years ago I read "Too Much to Know: Managing Scholarly Information before the Modern Age," by Ann Blair (2010).   Blair shows that people 400 years ago had basically the same complaints that I have, and we have, today.  (This damn pile of paper!  Where is that PDF?   Who wrote that - that report I need?  I can't believe I don't see the notes and to'dos from that meeting last month...)   

Returning to Ann Blair's general territory of "too much to know," this year I read a double-header of different but related books, "A History of the Index" (literally, a history of indexes(!), but told in a sporty and fast moving way), and the broader "A Place for Everything," which nominally is built around the history of alphabetization, but in fact covers a wide horizon of managing and arranging information back more than a millenium.     

Like all sorts of good non fiction (including, above, Lost Cafe Schindler), a lot of the enjoyment is in the asides and context and color that each author brings to their topic.   Flanders is a lively writer: she also produced a recreation of Victorian London's life (Victorian City), and in a burst of enthusiasm, I downloaded two books she mentions in Place for Everything, "Paper Machines," the history of card-based information systems, and "Paper Knowledge," subtitled as "a history of documents" from papyrus to PDF.  

A little more context.  When I was in medical school. doing an MD-PhD, starting in 1982, I was fascinating by a little newsprint magazine every two weeks, "Current Contents," which I recall our lab got in both the biological and medical versions.  Each issue consisted of nothing but xeroxed tables of contents from new journals.  And downstairs in the medical library, we had shelf after shelf of Science Citation Index, in 8-point font, compiling and cross-referencing journal articles by the hundreds of thousands.  The people making Science Citation Index were the same people creating  Current Contents, and those people were headed by Eugene Garfield, a genius and eccentric who had an eclectic editorial in each issue of Current Contents.   Anyway, he was the pioneer of modern academic informatics. See  The Web of Knowledge : A Festschrift in Honor of Eugene Garfield.   (I've gotten, but not yet read, a book about Garfield and related pioneers, "The Citation Culture," by Paul Wouters, and Geoffrey Bowker's "Memory Practices in the Sciences.")

So when we easily and instantly use resources today like PubMed, or Google Biomed Explorer and Google Scholar, we're implicitly standing on the shoulders of some of these figures from the 50s, 60s, and 70s.  (For a modern incarnation, see the literal torrent of information- and task-organizing apps, diligently documented on Francesco D'Alessio's "Keep Productive" YouTube channel.)  


FAVORITE FILMS AND TELEVISION 2021

The Donut King.   Biography of a wild entrepreneur who arrived penniless from Cambodia and built a massive donut chain.  Many twists and turns.  Hulu; also AppleTV.  

In and of Itself.  Incredible magic stage show tied to remarkable autobiographical stories of Derek DelGaudio.  Hulu.

Hillbilly.  Not new, but new to me, a film-maker returns to her rural mountain towns and tells a rich cultural story. Directed by Sally Ruben and Ashley York.  Streams on Hulu;  rent on Amazon, Google, Apple.  

Billion Dollar Code.   A rolicking four-part, four-hour dramatization of the history of the internet that brings Berlin hackers in the early 90s into collision with Google  Netflix.  

DopeSick.  Ten-part, ten-hour dramatization of the Oxycontin and addiction crisis, told from several parallel sets of characters, including one story line inside of the family board rooms of Purdue Pharma.  Would love to see Michael Stuhlbarg get an award for his portrayal of Richard Sackler.  Hulu.

Also good:  really enjoyed The White Lotus - a wacky dram-com set in a luxury hotel, and Only Murders in the Building (Hulu).  

Film Biographies.  I won't dig up every source, but we've seen a lot of impressive and interesting biographies this year, one after another, mostly on PBS as American Masters or American Experience.  Subjects like Mae West/Dirty Blonde, William Randolph Hearst Citizen Hearst), Sandra Day O'Connor, Sammy Davis Jr, Helen Keller (unexpectedly rich and interesting), Mayor Pete (Buttigieg). and Truman Capote (as Capote Tapes).   Also biographical, after a couple years in video limbo, Errol Morris's film on Steve Bannon - American Dharma - was fascinating and hit the major streaming services in 2021.  (Which is the second documentary about Bannon, see also The Brink, also dateline 2019).  Also on PBS or BBC for the first time our family tapped into the library of BBC history pieces by Lucy Worsley for the first time (try filmography here).


Other Mentions

Patient H.M., by Luke Dittrich.  His grandfather was the neurosurgeon  whose epilepsy surgery led to Patient H.M., studied for decades due to his profound memory loss by Brenda Millner, Suzanne Corkin, and others; a staple of Psych 101 textbooks.   Brings out many unexpected sides to the story.   Interestingly, the denouement is a long interview with the over-90-year-old Karl Pribram, one of my most influential college professors back in the 1970s. (And a dotted line, of course, connects a book about H.M. to the works of neurologist Oliver Sacks above).

Related to the modern books "Garden of the Beasts" and "Lost Cafe Schindler," I really enjoyed Last Train from Berlin, by Howard K. Smith, published 1942, and available for a few dollars from Amazon.    A kid from a poor family in New Orleans who worked his way through Tulane in the Depression and knew German, Smith was a very young journalist posted in Berlin in 1938, just after college.  He went on to have a stellar career - with the honor of being fired once or twice along the way for being too outspoken on racism and civil rights.  He anchored the ABC news in the 1970s when I was in junior high and high school back in rural Iowa, alongside his co-anchor Harry Reasoner, who grew up not far from where I was raised.







 









 





Friday, December 24, 2021

The LA TImes on Joan Didion (December 2021)



Main Obituary

By Elaine Woo / "During a reporting trip to San Francisco..."

https://www.latimes.com/obituaries/story/2021-12-23/joan-didion-dead


A Joan Didion Reading List

By Matt Brennan, Boris Kachka / "Joan Didion produced decades of memorable work across genres..."

https://www.latimes.com/entertainment-arts/books/story/2021-12-23/joan-didion-best-books-essays-screenplays-reading-guide


Joan Didion and California

By Gustavo Arellano / "The assignment I give my Orange Coast College literary journalism students..."

https://www.latimes.com/california/story/2021-12-23/joan-didion-california-legacy-column


Joan Didion and Sacramento

By Anita Chabria, Stuart Leavenworth / "The tennis shoes, dirty and worn..."

https://www.latimes.com/california/story/2021-12-23/joan-didions-strained-ties-with-sacramento-her-hometown-shaped-her-view-of-california


A Look Back at her Writing, Interviews, and More

By Amy Wong / "Here's a collection of past coverage..."

https://www.latimes.com/entertainment-arts/books/story/2021-12-23/remembering-joan-didion-a-look-back-at-her-writing-interviews-and-more


Goodbye To All That - Seeing Yourself Clearly

By Matt Pearce / "Anyone who's completed..."

https://www.latimes.com/entertainment-arts/books/story/2021-12-24/joan-didion-goodbye


"I have to look to flat horizons..."

By Barbara Isenberg / "I had known Joan Didion..."

https://www.latimes.com/entertainment-arts/books/story/2021-12-24/i-have-to-look-at-flat-horizons-joan-didion-on-her-apocalyptic-california-optimism


California's Soul Captured

By George Skelton / "Gov. Newsom believes..."

https://www.latimes.com/california/story/2021-12-27/skelton-didion-sacramento-remembrance


Writer's Reactions / Often Imitated Rarely Match

By Dorothy Pineda, Julia Wick / "When Mattew Spector decided..."

https://www.latimes.com/entertainment-arts/books/story/2021-12-24/often-imitated-but-rarely-matched-writers-reflect-on-joan-didions-impact


Joan Didion Didn't Have a Plan

By David L. Ulin / "Joan Didion was a working writer..."

https://www.latimes.com/entertainment-arts/books/story/2021-12-27/appreciation-like-the-rest-of-us-joan-didion-didnt-have-a-plan-why-that-made-her-great


Joan Didion / Potato Masher

By Carolina A. Miranda / "Can a single object contain..."

https://www.latimes.com/entertainment-arts/books/story/2021-12-27/joan-didion-california-narrative-of-manifest-destiny-and-a-potato-masher


Didion's Lakewood Not the Only Story 

By D.J. Waldie / "I met Joan Didion in 1993..."

https://www.latimes.com/opinion/story/2021-12-28/joan-didion-california-suburbs-lakewood


My People Aren't Joan Didion's True Californians...

By Susan Straight / "It could have been coincidence..."

https://www.latimes.com/opinion/story/2021-12-28/joan-didion-california-some-dreamers-golden-dream


LAT Briefs / Celebrity Reactions (Christi Carras) and Recommendations, Tributes (Links to these LAT articles)

https://www.latimes.com/entertainment-arts/books/story/2021-12-23/joan-didion-death-celebrity-reactions-twitter

https://www.latimes.com/entertainment-arts/books/story/2021-12-23/a-guide-to-joan-didion-reading-recommendations-tributes-and-more



##

NYTimes Five Joan Didion Movies - Streaming

https://www.nytimes.com/2021/12/24/movies/joan-didion-movies.html?referringSource=articleShare

New Yorker on Joan Didion (Opposite of Magical Thinking)

By Zodie Smith

https://www.newyorker.com/culture/postscript/joan-didion-and-the-opposite-of-magical-thinking

NYT / Jay Caspian Kang on Joan Didion

https://www.nytimes.com/2021/12/27/opinion/joan-didion-influence-writers.html

NYT / Prophetic Eye on America / Michiko Kaktani

https://www.nytimes.com/2021/12/24/opinion/joan-didion-books.html


##

My "Essay One," LaGaurdia Shuttle, March 2020

https://bqwebpage.blogspot.com/2020/03/joan-didion-essay-one-joshua-wolf-shenk.html


My "Essay Two," Bishop Pike, March 2020

https://bqwebpage.blogspot.com/2020/03/joan-didion-essay-2-from-bishop-pike-to.html



Thursday, October 21, 2021

How to Make Videos: Places for Downloadable Music - Creative Commons

There are platforms where you can license music for a fee, including MANY platforms where you pay a monthly subscription fee for variably numbered or unlimited downloads from their music library (without further royalties).

There are also some legitimate places to get interesting music with neither a subscription nor a royalty.

Here are a few.

RIGHT WITHIN YOUR VIDEO EDITOR!

I use the Filmora video editor (which is around $80).  Click on the tab AUDIO for downloadable music tracks.   While Filmora  tucks a few paid add-on options inside its software, so far, the music files I've liked have been entirely free.   Pretty wide selection.


YOUTUBE AUDIO LIBRARY

This is so huge it almost dwarfs mentioning anything else.  As of late 2021, it shows about 2000 screens of 100 each, or 200,000 tracks.  When you are skimming, you can star things as favorites.

https://studio.youtube.com/channel/UCQFeWyTpzYGJbYc1vXg7GZQ/music


PIXABAY / MUSIC

Pixabay has a wide range of royalty-free video clips, images, and - Music!   "Joining" is free - email registration - and soundtracks offer a chance to make a donation to the creator and request you include a credit for the source.  

There are many thousands of tracks in diverse genres.  There are several dozen genres ("smooth jazz," "cartoons.")  (Be careful not to accidentally click on more than one genre at once, you may hit a null combination).  Each soundtrack shows a volume profile.

https://pixabay.com/music/

Pixabay has it all: Video, photo images, and music.  For video & stills, see also Unsplash and Pexels.  (For the giant library of pay-for-use footage, see Shutterstock.)  


Specialty Sources

INCOMPETECH / Kevin MacLeod

I like Andrew Bossom and his Rewboss YouTube channel, and he likes Kevin MacLeod music tracks.  These are free to use; BUT acknowledgement required in your show notes.  MacLeod has a Wikipedia page here.

https://incompetech.com/

AUDIONAUTIX / Jason Shaw

Similar to Kevin MacLeod's model.  A wide variety of music, free to use, acknowledgement required, at the link below. Jason's music also shows up on some sites that use a monthly license model.  

https://audionautix.com/


Creative Commons / List of Sites

Creative Commons has a webpage for music licenses, and notes that Creative Commons licenses may vary (some may require "no derivative works," for example.  They provide a list and links to a dozen websites that offer music under the Creative Commons paradigm.  The sites they link to may have a variety of licensing and usage rules, so read the fine print.

https://creativecommons.org/about/program-areas/arts-culture/arts-culture-resources/legalmusicforvideos/

See for example:

https://freepd.com/


Read any music website carefully for it rules; don't get caught with issues like "Content ID" warnings (here).

___

Although it's off topic, let me mention here that two ways to get inexpensive freelance design help (for example, for animated YouTube brand intro's) are FIVERR and UPWORK and FREELANCER.   I think FIVERR is mostly offshore; UPWORK seems to be U.S.  See some video intro's for my brand on YouTube, from Fiverr, here.



Tuesday, August 3, 2021

Interesting Journalism Lives, at LA Times

I'm often pleasantly surprised by the high quality journalism coming from the LA Times.

Here are some examples from today:

Deep dive history journalism - the story of mid-19th century black activist Ellen Clark, by Jeanette Marantos.

https://www.latimes.com/lifestyle/story/2021-07-30/how-civil-rights-activist-ellen-clark-was-found-in-an-unmarked-grave-in-altadena

Clip with video here:

https://www.latimes.com/california/0000017a-c5d4-d6d2-a77b-f5ff8c940000-123

Backstory for the story

https://www.latimes.com/lifestyle/story/2021-07-30/how-we-got-the-story-of-ellen-garrison-jackson-clark-and-her-courageous-unsung-life


Night Market Lincoln Heights and Victim of Success, by Steve Lopez

https://www.latimes.com/california/story/2021-08-03/lopez-column-lincoln-heights-night-market-becomes-nightmare-for-residents

(See also: "LACC market shuts down after 2 decades." * )

(  https://www.latimes.com/california/story/2021-08-02/l-a-city-college-swap-meet-shuts-down-after-more-than-two-decades  )


Strong journalism about dying cattle and drought in Arizona, by Jaweed Kaleem.

https://www.latimes.com/world-nation/story/2021-08-03/arizona-water-drought-farmers-cattle


Kicking off August with a fine list of museums and galleries in LA County and Orange County - by Matt Cooper.

https://www.latimes.com/entertainment-arts/story/2021-08-02/things-to-do-in-la-orange-county-museums-august




*
To my eye, 90% of the "LACC" market is on the surrounding sidewalks, not literally within the LACC official parket lot.  Maybe the 90% on the sidewalks will continue?

Tuesday, July 6, 2021

From Link to Link: From Downtown LA to Germany's Young Black Women Authors

Start point: Apple Store!

The starting point for this essay: 

I went to downtown LA to see the brand new Apple store, which is a grand rehab of a 1920s movie palace at 8th and Broadway.  (Here).


May Company(ies)

Across the street is a massive old flagship May Company department store, in the process of renovation.  

Another historic May company, the mid-city May Company at Wilshire & Fairfax, is about to open as the museum of the Academy of Motion Pictures Arts and Sciences.   

Mykita = Berlin

Meanwhile, a block south of the Apple store, there is the 1930 art deco landmark, Eastern Columbia Building, now converted into condos.

On the ground floor, I noticed the Mykita eyeglasses and sunglasses store.  Mykita is positioned as fine handwork frames which are designed and hand-made in Berlin. 



Going to the Mykita website, there's a lot of eyeglasses, and a blog, and the blog has a post, Five Fab Books for International Women's Day.   

One of the five books is in German, Alice Hasters | Was Weiße Menschen Nicht Über Rassismus Hören Wollen Aber Wissen Sollten (2019) (What White People Don't Want to Hear about Racism, but Should).



Alice Hasters

Going to YouTube, there are many video interviews with Alice Hasters, speaking both German and English.  Her book is available only in German.   

German Wikipedia page describes Alice Hasters as born in Cologne, with a black African-American mother and German father, and she went to part of high school in Philadelphia.  (Thus, she's fluently bilingual.)   She's described as a German journalist, a book author, and also an experienced podcaster.  Her book was a German #3 best-seller in mid-2020.  See also an English Wiki page here.  

At YouTube, see an English-language interview with Hasters from an event at University of Bayreuth Africa center.   See also a May 2021English interview with Hasters, "Unpacking Racism in Germany and the US," here.  It's in a video series called Black Germans.



Alice Hasters

Leynes

Looking around YouTube for Alice Hasters also led me to a fascinating YouTube channel by a woman "Leynes," a young black woman who's reviewed a huge book list, including Hasters' book.   

See the "Books by Leynes" book channel here (18,000 subscribers) and find the October 2020 review of Hasters, by Leynes, here

If I'm reading this right, Leynes has put an amazing 925 reviews on Goodreads - here.  She's the third-most followed member of Goodreads in all of Germany.   I haven't found any bio on Leynes.  She might have a South African accent in English (?? or not), she commonly reviews books in French as well as English and German, and she even wrote a 2019 review of a Russian book (!) by Kanata Konami while on a language exchange in Minsk.   

Leynes

Leynes

(BTW, besides the Hasters book, Leynes strongly recommends another young Black woman's German-language book, Exit Racism by Tupoka Ogette.) 

Tupoka Ogette, author, Exit Racism

Video of Tupoka Ogette here.








Wednesday, June 2, 2021

Endnote: Search a topic, then make a Group for "PMC" articles within them

This was kind of maddening but it's basically exactly the same as this online tip:

https://tuckerinfo.wordpress.com/2012/12/03/endnote-tip-removing-duplicate-records-while-maintaining-original-groups/   


PUBMED

Endnote: Search a topic, then make a Group for "PMC" articles within them

Search for title word "tumor mutational burden"

Find 100

Import to Group TMB


Search re-search the same topic PLUS the criterion:  (drop down menu) Subset:  (text) free full text  (30)

   Online in manual pubmed this would be      free full text[sb]

You get 30 articles

Import to Group TMBPMC


Now you have 130 total articles and 30 dups.

Here's what you do next.


In ALL, use the function, References / Find Duplicates.

All the paired articles will show, with the second line in each pair highlighted.  (This is samea s the special folder PMC which has 30 articles.)


Delete (move to trash)


Now you are looking at the original sister article of the ones you deleted.  They are in TMB, being 30 among the 100 which are exactly the same as the ones you just put in TMB PMC, then deleted as duplicates.


Drag these to TMBPMC, which is now refilled with 30 again.  But, they are the 30 from the original 100.

It is sort of like taking a wax impression, throwing away the original, and then casting a new original from the wax mold.


zendnote


NOTE 1

Most of the free text articlesin Pubmed have a PMC ID, but not all.  Don't worry.  They should still have a free text online at NLM that Endnote can still find, if you ask it to.  (References > Find Full Text).


NOTE 2

The search fields are maddening.  

When you are IN the web search, you get NLM fields like Subset and PMCID but can only use the mode CONTAINS.

If you are in the downloaded library, you get FEWER fields, but you get many options for search (starts with, greater than, etc)

You either get lots of fields and few search options (contains). or fewer fields and many search options (starts with). 

Friday, May 28, 2021

Introduction to Home Office Teleprompters

New!  See the five-minute video version  here.

____________________

Many video content creators run who run video channels on YouTube are actually using teleprompters.   There are lots of home-use models for as little as $59, while "prosumer" models have a price point around $199.   What's it all about?

I would divide teleprompters into 2 levels.

  • (1) Minimalist "lens mount" models that attach to the front of your camera (Parrot, Desview, and off-brands), versus 
  • (2) "Rack base" models that mount on a tripod and have separate rack attachments for the hood/mirror and the camera in back.  

Lens-mount (left) and rack-mount (right):

Lens-Mount models (left) vs Rack-based models (right)

(All photos, you can click to enlarge.)


LENS MOUNT SYSTEMS (PARROT, DESVIEW)

The "lens mount" models are obviously limited in size and weight since they have to hang off the lens. 

The smallest is the popular $99 PARROT V2 model.   It comes with a bluetooth device to start/stop the script.   In the same price range, and also with a bluetooth device, is the DESVIEW T2.  DESVIEW is larger, but, it will hold a device as large as an Mini iPad.   

If you are definitely going to a smart phone, there isn't much advantage to the larger DESVIEW mirror so you could go with the Parrot.  But if you want to use a mini-Ipad, or a 7" Fire tablet, then get the larger DESVIEW.   

Unlike the Parrot, the DESVIEW has a tripod mount under the mirror hood which you can use optionally as the weight-bearing point.   

Filter Ring - What If Your Camera Doesn't Have One?

The Parrot and Desview require a lens mount filter ring.   A few cameras like the SONY ZV-1 have no lens mount filter ring.  While there are glue-on filter mounts for the ZV-1, they are intended to hold a filter, not a teleprompter.  

Amazon carries a $40 "CAME-TV" rack that screws to the SONY ZV-1 or RX100 camera base and holds a 52 mm filter ring physically right in front of the lens (see picture below).   It also includes a necessary left-right adjustment, since the ZV-1 tripod mount is offset from the lens axis.  Net-net, if you want to use a ZV-1 with either a Parrot or Desview, this adds a $40 attachment to the $99 teleprompter price.


What If You Use Your Laptop For Your Camera?

Some of these models are designed to optionally clamp onto a laptop screen, fitting over the little laptop lens (e.g. Parrot; Little Prompter).

Some come with an adapter to use a smartphone as the camera (DesView T2). rather than a screw-mounted real camera.  (That is, you'd have one smartphone laying flat in the front for the script, and one smartphone clamped upright in the back as the camera).

TRIPOD MOUNT SYSTEMS

Two popular models are the GLIDE IPAD TELEPROMPER and PROMPTERPEOPLE POCKET CUE.  

As shown below, the design is similar and the price point around $199.   The POCKET CUE is dedicated to smartphone use.   The GLIDE model will hold either a phone or an iPad.  Another rack-mounted brand is "Little Prompter" (Amazon, $159).

Both $199; Glide holds up to iPad size (left)

PrompterPeople makes a wide range of professional teleprompters, from POCKET CUE which is their new entry-level to compete with the Glide at $199, up to $1000-plus studio teleprompters.   So in general, PrompterPeople devices have pretty classy engineering.   NB- I ordered a POCKET CUE and it was defective (the vertical frame was loose and could not be tightened), inconsistent with their reputation for top-end engineering.  It took a whole week to set up a return and required daily emails, but they did apologize for the delays.

Is Your Tripod Socket Out of Line with Your Lens?

It looks like with either the GLIDE or POCKET CUE, they expect your camera's 1/4" tripod mount in the base, to be in line with the teleprompter and lens axis.  Bad news: in a Sony ZV-1, the tripod mount in the base is offset 3/4" (20mm) from the lens axis.   

Amazon again came to the rescue with a work-around, a $12, overnight delivery "DSLRKIT 2 Way Macro Shot Focusing Focus Rail Slider."  This is designed to move the camera and lens forward and back for macro focusing.  Here, I mounted the rail perpendicularly to the POCKET CUE camera rack (picture is below at right).  This let me shift the camera 3/4" laterally to line up the camera lens axis with the shadow box axis.  (Note: The POCKET CUE has set-screws that allow both the horizontal smartphone (in front) and the rack level (in back) to be adjusted vertically.  For a little ZV-1, you need to raise the back rack "up"  so it rises to the middle of the shadow box aperture.)


SOFTWARE - MANY CHOICES

One advantage of the Parrot and Desview clip-on teleprompters, they each come with a small bluetooth control device for software.  (The Parrot remote is available $25 at Amazon).   

There are numerous YouTube reviews of these remotes, and they usually note the remotes are "clicky," creating background noise.  Plus, if you're controlling the remote off screen with your hand, you're not using both hands to gesture and you might look like a mannequin in your video.

You can use any software with any teleprompter, and there are many teleprompter apps available in the iTunes or Google Play stores.   Three examples include:

  • Teleprompter Mirror - totally browser-based software and totally free.  Includes a free voice-driven option but I think it works only on a desktop browser.   Here.
  • Parrot Teleprompter - Free app, works well with different speeds for the text, and they won't try to upsell you anything.
  • PromptSmart - seems to be one of the best known voice-driven apps, it costs money (free trial followed by various price points from $19 purchase to $59/annual license for a software suite).  Here.

One (of numerous) YouTube reviews, which settles on three best recommendations, is here.

Teleprompter script is usually white letters on black background to maximize the amount of black and therefore reduce light spill in the shadow box.

There are numerous YouTube videos on how to read more naturally with a teleprompter.

In summary, if you'd like to try both speed-driven and voice-driven teleprompting for free, to get a feel, go to the Teleprompter Mirror website.  If you'd like to try a free app on a phone, just download the Parrot one.  If you're halfway-serious, just shell out $19 for PromptSmart with voice activation.  But follow all the instructions carefully; I found that directly importing a Google Doc or Word Doc without removing hidden formatting can really mess it up and it took a while to discover why.

Nerd Note: Powerpoint in Reverse and on a Teleprompter: Headache w/o a Mac

You might want to use your new teleprompter to, for example, present a PowerPoint deck to yourself that you watch while giving your presentation, or, you might want to watch a 10-person Zoom call through the teleprompter.   A lot of softwares (e.g. Duet, LetsView) will push the Windows screen to an iPad.  It's harder to also flip it, as you'd need for PowerPoint.  (Wouldn't matter too much for Zoom). 

 You can project and flip a Mac screen with Mac Mirror Flip Utility, or with the Mac/iOS Air Display App.  

PrompterPeople has a 12" color monitor with a reversing function, but it's $375.  Amazon has a range of 5-7" color monitors circa $100 some of which have "image flip."  Eg, Neewer FW568.  But it would sure be easier to build the function into iPad software like Duet or LetsView.


HIGHER-END TELEPROMPTERS

Upscale? See the lightweight but iPad-sized teleprompter "Ultralight" from PrompterPeople for $399, exactly double the price of the $199 prosumer models seen above including their own Pocket Cue.

Same basic "rack" design but upscale engineering at $399

FOOTNOTE

Don't Just Mount the Phone Above Your Camera

I got and quickly returned an interesting device, a Glide Gear TMP10 $29 system that mounts atop the camera on the hot shoe slot.  (Shown at left below.)  It didn't fit my ZV-1 at all, so returned the same afternoon.   

Still intrigued with the idea, I tried a much simpler Ulanzi hot shoe based phone mount $12.  It turned out that although the center of the iPhone was only 3"-4" above the center of the lens, it was obvious I was looking way above the line of sight when I was reading for the camera.  So no-go, in my appraisal.  The camera is very sensitive to the actor's exact line of sight, which is why teleprompters use mirrors and shadow-boxes.  

But the Ulanzi is only $12 and I'm keeping it, in case I ever need to mount my iPhone on a tripod.  In fairness, they don't bill the Ulanzi as a teleprompter alternative.

Video read this way is too sensitive to your line-of-sight above the lens

TidBits:

Space

I have very limited and narrow office space, with my desk filled with two monitors and a keyboard.  The smallest option would be a Parrot, since with this device your small camera immediately abuts the tiny shadow box and that's it.  

I tried a Pocket Cue which has a rack that sticks about 6" backwards from the rear panel of the shadow box.  This would allow a camera to be mounted quite far back if needed.  But in effect, for me, it pushed my camera 6" further forward (in front of my monitors on my desk) to account for the 6" tail or rack sticking out the back side.

YouTubers and Efficiency

Several YouTubers reviewing teleprompters agreed that net-net, teleprompters save you time.  The time used in making as a script and setting up the teleprompter is really time later saved in frustration, concentration level while filming, and cycles of repeat filming, mistakes, and more editing.  

Doing it All On a Smartphone

There are smart phone apps designed for you to film yourself, selfie-style, while reading a rolling script on your phone.  See a review of one such app, called simply "Video Teleprompter," here.

Pocket Cue Could Use Mini Ipad

I mentioned the $199, rack-mounted prosumer systems Glide iPad and Pocket Cue.  The former will hold a mini-iPad for larger font or for use if you stand many feet in front of the prompter.  The Pocket Cue actually has a large enough mirror for a mini-iPad.  I found you can use a mini-iPad with a Pocket Cue if you unscrew its own phone-size mount and put on a small iPad holder (circa $20) on the 1/4" screw.

ZV-1 Headaches

The ZV-1 has (1) no lens filter mount and has (2) an off-center tripod mount.  This means to use either a lens-mount or a rack-mount system, I need an attachment!

To use with a hang-on lens mount (Parrot or DesView), I would need a $40 CAME-TV rack (as illustrated and discussed).  

To use with a Pocket Cue, or other rack system, I would need a $12 orthogonal tripod-mount rail (as illustrated and discussed).   


My Sony ZV-1 mounted with the $40 Came TV Rack:



My Sony ZV-1 with the $99 DESVIEW teleprompter in place, on a small tripod ($40, Neewer 20") between my monitor and my keyboard.  









Tuesday, May 4, 2021

Hollywood Essay

Hollywood / May 3, 2021


I like going out around dusk and at 8 pm Trixie and I took the car up to Hollywood & Highland with the purple western sky to our left.   

We walked around the tourist museums on the southeast corner and noted the McDonald's was newly reopened after most of a year.  It's right by the Ginger Rogers star.   Heading back to the main intersection, a tall lean 30 year old naked black woman came up behind us and shot back and forth along the sidewalk screaming, then standing against the wall facing out and watching the intersection with agitation.

The light turned green and Trixie and I crossed to the Hollywood & Highland shopping center, walked through moderate crowds of people to the Chinese Theater and back, watching the bright lights of the El Capitan Disney theater and the façade of the Jimmy Kimmel theater.  

Coming back, we took a picture at the opening of the subway entrance.   As I was getting up - I may have been looking down at the dog, or being sure my iPhone was back in a jeans pocket - as I stood up I was face to face with the tall young running naked woman again.  Almost her hitting me, or me getting into her way, depending on your perspective.  In a moment she ducked around me and continued on westbound past us and toward the Chinese Theater.    

Trixie and I headed back down the night time sidewalk to the car.

















Saturday, March 13, 2021

Script for my VoiceMeeter - OBS - Zoom Sync Video

 



https://www.youtube.com/watch?v=OYuVo4E4CtM&t=0s





 

SPEAKERS

Bruce Quinn

 

Bruce Quinn  00:01

Hi, my name is Bruce Quinn and I consider myself an advanced amateur.

 

Working with Zoom in OBS Studio, I have a nice camera SONY ZV-1, I know the basics of OBS Studio, so I can use a green screen and manipulate it, I can adjust the contrast and saturation and framing of my camera.

 

And I can make recordings in OBS Studio with headshots, with multiple backgrounds or foregrounds right in OBS Studio.

 

However, there's one problem that it started to bother me, which is when I use OBS Studio for my camera, and my video, it creates a delay of 300 to 400 milliseconds on the way to Zoom, which I use frequently for business meetings literally every day.

 

And a client mentioned a few days ago that they noticed a mismatch in the sync between my own voice and my video coming through my multiple component system.

 

So I spent literally a week figuring out different ways to try to make the audio sync between OBS Studio, my camera, my microphone and Zoom. And it turns out, it's very hard to find a solution that works.

 

There's a very sophisticated solution called NDI. But you have to put lots of apps and add ins and virtual cables all over the place.

 

So I wanted to find something simpler.

 

Note:  If you are recording directly within OBS Studio, there is a way to slow down the audio to match the video. You look at the audio box, you use the gear function, you go to Advanced Settings. And there's a setting called SYNC OFFSET, set it to 200, 300, 400 milliseconds, you see what works. But that doesn't help you when you're live on a Zoom call.

 

Finally, I got a single app called VoiceMeeter. That will do what I want. But there were about 50 ways to do it wrong that I stumbled with because they don't have any AV training.

 

And I'm going to show you a way that's fairly simple to understand that that actually works.

 

In this video, I'm going to

 

·        work through the process with graphics, then,

·         I'm going to go back and work through the process again with the live VoiceMeeter program. So you actually watch it like a software demo.

 

 

So with that, let's go to the graphics.

 

So here we are, you've got your camera and your microphone, microphone goes straight into Zoom, that's basically instantaneous. But the camera goes through software processing on my computer called imaging edge for Sony. And then it goes into OBS Studio and there's more image processing and it goes out but it gets to Zoom to three 400 milliseconds late.

 

So here's the problem, there's this 300 millisecond delay, depending on your system going into Zoom.

 

Well, you can't speed that up. But what you can do is slow down the microphone a little bit.

 

And what I developed is a system where I use donationware called VoiceMeeter. And I can insert a three or 400 millisecond delay there, whatever fits best. And then a virtual cable is what Zoom sees. So instead of Zoom connecting direct to your microphone, Zoom thinks that your microphone is this virtual cable coming out of VoiceMeeter.

 

What I would rather be showing you this is the humorous part

 

I wish I could say OBS had a virtual microphone that put out sync’ed sound.

 

OBS Studio has got an output for OBS virtual camera, Zoom sees it that exists, great. There is no output for OBS virtual microphone, it doesn't exist. So that's not an option.

 

I can't show you that. I

 

I'd love to show you software that looks like this.

 



It's the idiots virtual mic app. You pick your mic, Windows real tech mic, you pick a delay, drop down menu for 300 milliseconds, and then Zoom would see this thing called idiots virtual mic app. And that would be your mic, and you'd be done.

 

However, I'm going to show you this software, which is called VoiceMeeter. I'm sure it's really, really good software. But if you don't understand it, it can be very confusing. And you probably don't have anybody that can give you instructions. So you have to figure it out for yourself. So we're going to jump now to the website for VB Audio.

 

https://vb-audio.com/Cable/index.htm

 

 There it is. So this is the home, it's VB audio.com. And you go to the audio apps, you're going to download the simplest virtual cable. It's just a single virtual cable not model multiple ones. So download that and you're going to download VoiceMeeter. They have different kinds of VoiceMeeter that are more sophisticated, you can get the very simplest VoiceMeeter. That's what I use. And remember these are both donationware so they look for a donation for from you.

 

Bruce Quinn  04:56

So now we're looking at voiceMeeter, and also, this pop up menu inside of VoiceMeeter that we're going to use.

 

And I swear to God, I found 50 ways to do this wrong. Either there was no synchronization or there was an echo or there was bad sound. lots of ways to do this wrong.

 

But let's explain VoiceMeeter and this is my Idiot's Guide to VoiceMeeter, you really have four panels here. The first one is hardware input, could be a microphone. The second one is another audio input. For example, it could be music or a laugh track or something, we're not going to use that. The third thing is called voice tech, virtual input, I don't understand it, and we're not going to use that either. Then on the right, you get to the outputs from VoiceMeeter, of which there is a on the left and B on the right, you're going to find we're not going to use B, it'll mess you up. The Ainput has got two different hardware outputs, like you could send it once to your speakers and once to your headphones, for example. But we're just going to use one output, that's a virtual cable.

 

06:13

Finally,

 

 

if you click on this box called A=B, or if you push this button called menu and settings, you get this pop up, which I call number five. And that's where you find a little box called monitoring synchro delay, and you set it for 200, 300, 400milliseconds, whatever works.

 

So let's work through this one step at a time. But pretty quickly.

 

Starting in hardware input. This is a drop down menu, it's going to be your microphone. If you've got a choice for an mme microphone, pick that it's a little bit slower, you want it to be slower. Now this box has become your microphone. Where does it go, it's going to go either to A or B, only check a do not check B. There are a couple other settings here there's a thing called INTELLIPAN. That's voice quality. You don't have to touch it, I tried moving it upwards just a little bit. But don't worry about that. There's a thing called audibility, I don't use it, leave that at zero. And this is your volume output, I would leave it at a neutral setting.

 

Now we're going to panel two, which is another hardware input. The first panel is your microphone, the second panel you're not going to use so don't put anything there, leave a and b to nothing are turned off and set the volume to zero.

 

The next thing is this panel called Virtual Input VB audio VoiceMeeter v AI Oh, you can't change that you can't do anything with it. So you leave that alone, I leave a B off and I set the volume to zero.

 

And believe me some of this stuff is I learned the hard way. If you do it this way. I'm an idiot, but it works.

 

Now we're over to the output panels. The A output panel is called hardware out. And the B panel is called Virtual Out however, you are not going to use the B panel, you're going to go here to the a one button, that's an input to output a.

 

Remember output a one could be your headphone output a two could be your speakers or something like that. So A-1 select to be cable input virtual audio virtual cable, AND --- do not use this thing called VoiceMeeter input. Do not use that use cable input up here.

 

Use the separate independent cable that you installed from the earlier software. The audio here can be neutral or you can raise it a little bit for a little extra volume. That's up to you. Now that you've done that, click on the A B box or use menu slash settings and you'll get this pop up which I've shown on the left. The only thing you need is this thing called monitoring synchro delay, which I've enlarged and you can set it for any number you want 100 200 300 400 500 press return and the a one output which is this virtual cable will be delayed by two or three or 400 milliseconds.

 

So you are now actually done.

 

So this is what everything will look like. Note that the B is unchecked in every column. So this output column B that you do not want to use should be a dead column. Anyway, we've just set the volume to zero for for safety.

 

And this is just a graphic that I'm going to use on my blog that goes along with this and it sort of gives you everything that we did in one somewhat messy graphic.

 


 

 

 

 

 

 

So with that, I'm going to go to a different approach and I'm going to show you this stuff in VoiceMeeter, like a SOFTWARE DEMO, so we are simply going to repeat what you've already seen. But if you're like me, it may stick better the second time.

 

 

We start over here we look at hardware input, it's set to mme microphone real tech. That's a typical windows name for a microphone. And you can actually see my microphone working here, it's monitoring it. I'm not using Zoom, I'm recording an OBS. So nobody is listening to the VoiceMeeter software, but it is recording or listening to my microphone.

 

I've got A button checked (in the first panel), we want to uncheck B, so only A is checked, we'll leave the volume slider at neutral. This little voice quality thing we can slide down or up a little bit, don't have to worry about it audibility, don't worry about it, leave it at zero.

 

 

Now we're coming to the second column in the software hardware input, we don't want a second input, we've got one microphone we're happy. So we select nothing there. We unselect the outputs, and we set the volume at zero.

 

Now we're at the virtual channel. I don't know what that does. But I'm going to set A and B at zero and I'm going to set this volume at zero.

 

 

Now we're at the output. Remember, we're never going to use the B output, the volume is turned down to zero and all of these B's are dead. So there shouldn't be any noise in the B Channel. I

 

In the A channel, A1 OUTPUT, we're going to go to a one and we're going to set it to mme cable input VB audio virtual cable.

 

Remember, as I told you the first time Do not use VoiceMeeter, it won't work use this one cable input.

 

And when you get to Zoom later, you're going to have a thing called cable output virtual cable output. And that's going to be your microphone.

 

 

Now the only thing we have left to do is actually set the delay, which is what we were here for. And I'm going to either click menu and system settings, or I can just click in the A B box here. And the only thing we have to use in this box is the monitoring synchro delay here I've got it set at 200 milliseconds. You do this by trial and error at a couple different settings and see what works to 300 milliseconds. If you have less than 100 milliseconds delay, you probably can't see it for for most amateur purposes. So that was everything.

 

Let me go back to you. So in closing, this will let you use a VoiceMeeter to do nothing but taking your microphone, delay it by a few 100 milliseconds and put it out in an independent virtual cable, which Zoom can see as a microphone input.

 

Other things you may hear about there is a monitoring function in OBS, and there's a delay function in OBS. However, those only work inside of OBS. So if you're streaming inside of OBS, or if you're recording inside of OBS, the OBS audio delay will work for you. It's working for me right now making this recording.

 

But if you use the monitoring, functioning and virtual cables that go outward to Zoom, YES, you can do that to carry the audio signal from OBS to Zoom, BUT IT WILL NOT BE IMPACTED by the audio delay. it skips the audio delay.

 

There is a much more complicated system called NDI. In order to use this, you have to put special apps inside of OBS and set them the right way then you have to download NDI software. Then you need virtual cables to connect OBS to NDI and NDI, to Zoom. So you're doing a lot of different software, multiple steps, 12 or 14 steps, just to slow down your sound, which you can do with what I've demonstrated today.

 

So I'm going to close back on the original slide, which is here. We've taken your camera through OBS to Zoom, we have not done anything with Zoom today, your microphone is going to VoiceMeeter and we have dumbed down VoiceMeeter, so it does nothing except see your microphone on the left and output it on a virtual cable a one on the right. And we've done that pop up box to give a 300 millisecond delay.

 

And that should work for you when you're in Zoom meetings.

 

Now if you've got an informal Zoom meeting, if there are 20 people on the call and you're a little talking head, you probably don't need to worry about the audio delay.

 

But if you're in a one to one job interview, or you're doing something serious and professional in Zoom, then this extra step of going to VoiceMeeter probably could be worthwhile for you.

 

Thank you very much for sticking with me and good luck.