Sunday, August 24, 2025

Absurdist Realism: Truman Capote's Next Big Book: The Constitutional Convention of 1787

This prompt involves some suspension of disbelief regarding centuries, but otherwise take it seriously for absurdist realism. Truman Capote has made his first great big career hit with the blockbuster book, in cold blood. However, this also induces a certain amount of writers block and fear that his next achievement will not be as big a hit. Truman Capote rises publisher, requesting a $100,000 book advance and pitching his next exciting big project: a non-fiction novel about the Constitutional Convention about 1788.

ChatGPT said:

Here’s a draft of Truman Capote’s letter to his publisher, written in his mix of Southern charm, hauteur, and theatrical absurdist realism:


Letter from Truman Capote to His Publisher (circa late 1960s, after In Cold Blood)

My Dearest (and Most Financially Secure) Publisher,

I write to you not from my desk, where the ghosts of Holcomb, Kansas still rattle their chains and keep me awake at night, but from a hotel suite somewhere between time and eternity. In Cold Blood, as you may recall, has been a titanic success—bestseller lists, movie rights, critics swooning like debutantes. But as with any great triumph, it has left me in a kind of literary paralysis. What possibly could follow a quadruple homicide on the Great Plains? Where does one go after murder in America?

One goes backward, darling. Backward not just in time, but in centuries.

Picture it: Philadelphia, 1788. The air is damp, the wigs powdered, the tempers inflamed. Men of fragile health but monstrous ego sweat and squabble in their waistcoats. It is the Clutter farmhouse all over again, except the family is called America.

I propose—listen carefully, because this is how you will explain it to your accountants—a non-fiction novel about the Constitutional Convention. Yes, a novel, yet true: Madison’s diary entries reconstructed into dialogue, Hamilton’s duels foreshadowed by candlelight, Franklin slipping out for assignations with seamstresses while Washington broods like a statue learning to walk. It will be In Cold Blood, but with quills.

Do not be distracted by those who will say, “Mr. Capote, you cannot report on a Congress from 1788, you were not alive.” Darling, I was not alive for Perry Smith and Dick Hickock’s childhoods either, yet I conjured them whole. Time is but another jailhouse wall to scale. I will reconstruct the Congress with forensic precision—down to the syllables, the coughs, the sweaty silences—until the reader smells the mildew on the parchment and hears the scratching of goose-feathers like the ticking of a time bomb.

The working title? In Cold Ink.

All I require is the modest sum of $100,000 as advance—an investment, really, in the birth of a new genre. We will call it “the Founding Fathers as True Crime.” For were they not criminals of a sort? Traitors to their King, conspirators in secret, smugglers of liberty across the Atlantic?

I await your favorable reply, and possibly champagne.

Yours,
Truman


Would you like me to also draft the publisher’s reaction letter—half horrified, half thrilled at the madness of Truman’s proposal? That could make a fun two-part absurdist exchange.

You said: Y
 Here’s the publisher’s reply, matching Truman’s tone but from the business side — half-goading, half-bewildered, fully absurdist-realist:

Letter from Publisher to Truman Capote (circa late 1960s)

My dear Truman,

First, congratulations again on the phenomenal triumph of In Cold Blood. It has not merely sold books; it has invented a new way of writing. You have made America’s heartland dangerous again — and, as our sales figures show, highly profitable.

Now, to your proposal. A “non-fiction novel” about the Constitutional Convention of 1787 (though published, I suppose, for Bicentennial tie-ins in 1976). Philadelphia instead of Kansas. Goose quills instead of shotguns. Instead of blood pooling on farmhouse floors, ink blotting on parchment.

At first blush, this sounds mad. At second blush, it sounds madder still. Yet somewhere between those blushes, I feel the shiver of genius — or at least the tremor of another six-figure print run.

I can already hear the sales pitch: Capote Returns! Not with another grisly murder, no — he has gone back in time, like a literary time-traveler in a silk scarf, to report on Madison’s migraines, Hamilton’s speeches, Franklin’s gout. (Is gout too indelicate for the cover blurb? We’ll finesse.)

You are right: what is treason if not true crime? What is the Constitution if not a conspiracy novel with a happy ending? The parallels with Holcomb are unsettling: a quiet room, men gathered, secrets whispered, and then—bang!—a whole new nation appears on the gallows.

As for your requested $100,000 advance — well, let us say this: in 1787, they called it a “subscription.” We shall consider your request a subscription to genius, payable in installments, provided you produce at least three founding fathers crying in your pages by Easter.

I await your outline (or séance notes, whichever is easiest), and I will have accounting prepare the first disbursement.

Yours faithfully, and nervously,
Your Publisher


Do you want me to take this one step further — maybe sketch Truman’s absurdist sample opening passage from this imagined book (In Cold Ink)? That way you’d have a taste of what the novel-journalism style applied to the Constitutional Convention would actually look like.

Absurdist Realism: Joseph Heller, David Mamet, with Constitutional Convention 1787 Theme

Prior, Truman Capote proposed a novel about the Constitutional Convention 1787.

 Let’s start the game again, but this time it’s Joseph Heller, who has had a big hit with Catch-22, and has been stalling for his next big plan. And it is a comedy novel set at the constitutional convention, just as Catch-22 was set in World War II.

ChatGPT said:

Excellent reset. Now we’ve switched from Capote’s gothic “non-fiction novel” to Heller’s satirical machine: looping logic, absurd bureaucratic knots, and men trapped in a constitutional quagmire just as surely as Yossarian was trapped in combat missions. Here’s the pitch letter — this time from Joseph Heller to his publisher, angling for his next great hit:


Letter from Joseph Heller to His Publisher (circa mid-1960s)

Dear [Publisher’s Name],

You’ll be pleased to know I have finally identified the proper successor to Catch-22. After years of being asked what comes next, and after years of replying “nothing could possibly come next,” I have found something: the Constitutional Convention of 1787.

Think of it as the same comedy of contradictions, but with wigs.

The framers want liberty but also slaves, power but also checks, a king but not a king, unity but not too much unity. They want the people to govern, but not the people. They want to be remembered forever, provided no one quotes them directly. It’s a perfect setting for the kind of impossible logic I’ve already trained the public to laugh at and despair over.

Picture Madison: “We can only preserve freedom by restricting it.”
Picture Franklin: “We must agree unanimously, even if that means agreeing to disagree.”
Picture Hamilton: “We need a strong executive — preferably me.”

It is the ultimate Catch-22: they cannot found a country without a constitution, and they cannot write a constitution without already having a country.

I propose to tell the tale in the same looping, circular narrative that made Yossarian’s squadron so unforgettable. Characters will appear and disappear, pages will argue with each other, history itself will contradict itself. The reader will be trapped in Philadelphia just as the delegates were, sweating in their waistcoats while logic chokes them to death.

The working title: Constitution-22.

I will require $100,000 as an advance. Please consider it not merely an investment in literature, but in democracy itself — or at least in my comic version of it.

Yours,
Joseph Heller


Would you like me to draft the publisher’s reply (trying to both encourage and corral Heller’s unhinged genius), or would you rather see a sample absurd passage from Constitution-22 written in the same looping, circular style as Catch-22?

You said:
Sample passage
ChatGPT said:

Here’s a sample passage, written in the Catch-22 mode — circular, absurd, contradictory — but transplanted to the Constitutional Convention of 1787.


Sample passage from Constitution-22

The delegates couldn’t adjourn because they hadn’t agreed, and they couldn’t agree because they hadn’t adjourned. Madison wanted rules before debate, but rules required debate, which required rules. It was a perfect Constitution-22.

“Nothing will be decided until we decide how to decide it,” said Madison, who thought that made sense until Hamilton agreed with him, which made him suspicious.

Hamilton wanted an executive strong enough to command respect, yet weak enough to obey orders, which was impossible. “We must have a president who is powerful enough to be checked, but not so weak that he cannot be balanced,” he declared.

“What if the president refuses to be checked?” asked Franklin.
“Then he must be removed,” said Hamilton.
“And what if he refuses to be removed?” asked Franklin.
“Then he is exactly the president we need,” Hamilton answered, with satisfaction.

The Southern delegates wanted liberty for themselves and bondage for others, which was perfectly consistent once you didn’t think about it. The Northern delegates wanted commerce without tariffs and tariffs without commerce, which was equally consistent once you ignored it. Everyone wanted compromise, provided it was the other fellow doing the compromising.

“They’re all mad,” whispered one delegate.
“They’re not mad,” replied another. “They just think.”
“That’s what makes them mad,” the first delegate insisted.

And so the Constitution was written: in secret, in summer heat, in sentences so carefully balanced they could never stand upright.


Would you like me to extend this into a mock-chapter opening — maybe “Chapter One: In Which Nothing Is Decided Except That Something Must Be Decided” — to really lean into Heller’s style of comic recursion?

You said:
Y
ChatGPT said:

Perfect. Here’s a mock opening chapter of Constitution-22, written in the recursive, absurdist cadence of Heller — where logic ties itself in knots and history feels like a bureaucratic farce:


Chapter One: In Which Nothing Is Decided Except That Something Must Be Decided

The Constitutional Convention began on May 25th, except that it didn’t really begin until enough delegates arrived to begin it, and by the time enough delegates arrived to begin it, they had already begun quarreling about whether they had the authority to begin at all.

No one could agree on what they had gathered to agree upon. They were supposed to amend the Articles of Confederation, but amending required agreement and agreement required authority, and authority required something stronger than the Articles of Confederation, which was precisely what they had come to amend. It was a perfect Constitution-22.

George Washington presided silently from the chair because he was the only man everyone trusted to preside silently from the chair. Whenever he spoke, the delegates stopped trusting him, so he stopped speaking, which made him trustworthy again.

James Madison wanted a system strong enough to control men but weak enough to be controlled by them, which sounded reasonable to everyone until they realized it was impossible. Alexander Hamilton agreed with Madison because he never agreed with Madison, and Madison opposed Hamilton because he could not risk agreeing with him.

Benjamin Franklin suggested compromise. “We must each give up something for the good of the whole,” he said. But no one wanted to be the first to give up something, because once you gave up something you had nothing left, and once you had nothing left you were not part of the whole.

Thus, by unanimous agreement, they agreed not to agree until they had agreed how to agree, and then adjourned until tomorrow, when they would try again.


Would you like me to spin out a recurring character in this absurdist convention (like a Yossarian-type stand-in, maybe a hapless delegate from Delaware, trapped in the madness)?

You said:
Y
ChatGPT said:

Great. Let’s invent a recurring character in Constitution-22 — a Yossarian-like figure, someone hapless, exasperated, and perpetually trapped in the absurd machinery of the Constitutional Convention.


Character Sketch: Ephraim Doolittle, Delegate from Delaware

Ephraim Doolittle did not want to be in Philadelphia. He never wanted to be in Philadelphia. He had only agreed to attend because Delaware had promised to send three delegates and two had already gone home. That left Doolittle, who did not believe in constitutions, conventions, or the idea of summer without shade.

Doolittle’s only goal was to leave, but he could not leave until there was a Constitution, and there could not be a Constitution until all the delegates agreed, and all the delegates would never agree as long as Doolittle was still present. It was a perfect Constitution-22.

Whenever a vote was called, Doolittle voted “No,” not because he opposed the measure but because he was certain that by voting “No” he would finally end the debate and be allowed to go home. Each time, his “No” ensured only that debate continued.

“Why don’t you agree with us just once?” Madison asked.
“Because if I agree with you, you’ll only think of something else to debate,” said Doolittle.
“And if you disagree with us, we’ll never finish debating,” said Madison.
“Then either way I’m trapped,” said Doolittle.
“That’s why you must agree,” said Madison.
“That’s why I must disagree,” said Doolittle.

No one trusted him, except when he was untrustworthy, and then they trusted him completely. He was appointed to every committee for this reason, and attended none of them.

By the time the Constitution was signed, Doolittle had not written a word, yet he was still considered one of its architects, mostly because he had been sitting in the room when others did.


Would you like me to draft a sample “chapter slice” that follows Doolittle through a full absurd debate — e.g. on whether the legislature should have one house or two — showing him caught in the same looping logic as Yossarian in Catch-22?

You said:
Y
ChatGPT said:

Perfect — here’s a sample chapter slice from Constitution-22, following our invented delegate Ephraim Doolittle of Delaware through the famous debate about whether Congress should have one house or two. Written in Heller’s looping, exasperated style:


Chapter Five: In Which Doolittle Fights for One House and Ends Up With Two

The Convention could not decide whether Congress should have one house or two. They could not have one house because some states wanted two, and they could not have two because some states wanted one. It was a perfect Constitution-22.

Doolittle wanted one house because one was easier than two. He argued that one house meant fewer chairs, fewer speeches, and fewer votes. Madison objected that with only one house the large states would always overrun the small states, which made Doolittle nervous because Delaware was very small.

“But if we have two houses, the large states will overrun us in one of them,” Doolittle protested.
“That is precisely why we must have two,” Madison replied.
“Then we are overrun twice,” said Doolittle.
“No, only once,” said Madison.
“And once is half of twice, which is fair,” said Hamilton.
“It isn’t fair if you are always the half,” said Doolittle.
“That’s what makes it fair,” said Hamilton.

Franklin proposed compromise. “In one house the people shall be represented equally, and in the other they shall be represented unequally. That way, everyone will be equally satisfied and equally dissatisfied.”

“That isn’t a compromise,” Doolittle objected. “That’s two contradictions sitting in the same chair.”
“Exactly,” said Franklin, “and if they cannot sit in the same chair, we will build them two chairs.”

The vote was taken. Doolittle voted “No” to two houses so that Congress would have only one, but because he voted “No” the plan for two houses passed. The more he voted against it, the more it succeeded.

When the tally was announced, Doolittle was appointed to a committee on furnishing both houses. He did not attend the meetings.


Would you like me to sketch a few chapter titles for Constitution-22 in the same vein (“In Which Nothing Is Ratified but Everything Is Debated”), so you’d have a sense of the novel’s structure?

You said:
DAVID MAMET

No, but instead excerpt a page or two from David, Mamet historical play about the constitutional convention, in an exaggeration of David Mamet style
ChatGPT said:

Got it — shifting from Heller’s recursive satire to David Mamet’s clipped, staccato dialogue, where history becomes terse, rhythmic, and almost profane in its subtext. Here’s an imagined excerpt from David Mamet’s historical play about the Constitutional Convention, exaggerated in his style:


Excerpt from Founding Fathers
(A David Mamet play, ca. 1787 Philadelphia)

*Scene: The Assembly Room, Independence Hall. Midday. Heat presses in. Windows shut. Silence, then voices—fast, overlapping, sharp.)

MADISON:
We need rules.

HAMILTON:
We don’t need rules.

MADISON:
We need rules to make rules.

HAMILTON:
That’s not rules, that’s—what is that? That’s nonsense.

FRANKLIN:
Gentlemen.

HAMILTON:
Don’t “gentlemen” me.

FRANKLIN:
You want a king.

HAMILTON:
I don’t want a king.

FRANKLIN:
You want a king. You said it last night.

HAMILTON:
I said no such thing.

FRANKLIN:
You said it—
(to Madison)
He said it.

MADISON:
He said it.

HAMILTON:
You’re twisting.

FRANKLIN:
You want a king who’s not a king.

HAMILTON:
I want a man—strong.

FRANKLIN:
Strong is king.

HAMILTON:
Strong is strong.

MADISON:
Strong is dangerous.

HAMILTON:
Weak is chaos.

FRANKLIN:
Chaos is America.

(Beat. They stare at each other. Sweat. A fly buzzes. Silence. Then—)

MADISON:
We must agree.

HAMILTON:
We’ll never agree.

FRANKLIN:
Then we’ll agree to never agree.

HAMILTON:
That’s not agreement.

FRANKLIN:
It’s close enough.

(Short silence. Hamilton smirks, lights a pipe. Madison scratches notes. Franklin sighs.)

FRANKLIN:
Write it down.
(beat)
See if it holds.

MADISON:
It won’t hold.

FRANKLIN:
Write it anyway.

HAMILTON:
He writes, we sign. We sign, we fight. We fight, we hold. That’s the play.

FRANKLIN:
That’s not a play.

HAMILTON:
It is now.

(Blackout.)

Saturday, August 23, 2025

Absurdist Realism as a Genre: Truman Capote, After IN COLD BLOOD: The Fourteen Day Rule?

 Truman Capote wrote a real-crime, real-investigation best seller, IN COLD BLOOD (1966).  It was such an explosive hit that it cast him into writers block - how to follow up?

In two alternative realities:

1)  First, Capote pitches his publisher that he needs a big advance for a new blockbuster: a book about the 14 Day Rule.

2)  Second, the opposite.  Capote's publisher, getting fed up with the writer's block, reaches out to Capote and pitches him, here is the next big one: The Fourteen Day Rule.

From prior blogs, the 14 Day Rule is an obscure bit of Medicare laboratory policy law from 2006.

####

Here’s how such a letter might read — Truman Capote, in his baroque, ironic, confessional style, pitching The Fourteen Days to his publisher, angling for an enormous advance, and treating Medicare regulation with the same novelistic gravity as murder in Kansas.


Letter from Truman Capote to [Publisher’s Name], ca. 1970

My dear [Publisher],

You have been patient with me. Painfully patient. Ever since In Cold Blood (which—let us admit—was not merely a book but a revolution in the way truth could be told) there has been an air of suspended expectation. The public leans forward, as though I am a magician who has yet to pull another rabbit, a rarer rabbit, from the battered silk hat. For years I have stalled, staggered, dissembled, teased. But now, at last, I have it.

The new book.

It will be called, provisionally, Fourteen Days. Or perhaps, The Rule. Or, to lend it the true biblical gravity it deserves: The Gospel of Fourteen Days.

And what is it? you ask. A crime story, of course. Not the clumsy, bloody kind with shotguns and bodies in barns, but a bureaucratic crime: bloodless, paper-bound, committed in the quiet corridors of the federal government. A crime of commas. A crime of dates. A crime that trapped cancer patients in the amber of regulation and sent laboratories into bankruptcy while senators blinked in incomprehension.

It happened in Baltimore, of all places—not the Kansas plains, not a mansion in Montauk—but a gray government building where the Centers for Medicare & Medicaid Services met to decide something that should have been inconsequential: the date of service for a laboratory test. Do you know how boring that sounds? Catatonically boring. But out of this soporific seed sprouted one of the most consequential, misunderstood, absurd little tyrannies in modern health care: the infamous “14 Day Rule.”


The beauty, dear [Publisher], is in the contrast. In In Cold Blood I showed you blood pooling on the linoleum of a Kansas farmhouse. In this new book, the horror is quieter, subtler: it is the horror of a widow whose husband’s genomic test is delayed not by villainy but by a number—by the fact that day thirteen is bundled and day fifteen is not. Kafka by way of The Federal Register.

And do not think the cast of characters is any less rich for being bureaucrats. I will introduce you to Mary Sullivan, a woman in sensible shoes who became, without ever seeking it, the Mother of Fourteen Days. To congressional aides who confess, over bourbon, that they cannot brief their senators without a flowchart. To lobbyists who sip martinis in K Street bars and smirk: “Fourteen is survivable.” To patients who stand in drab meeting rooms, telling stories so raw that even the most lacquered hospital lawyer looks away.

This is my talent, as you well know: to transform what appears banal into opera, to render the invisible visible, to find the gothic in the fluorescent-lit. In Cold Blood made you feel the dust of western Kansas. Fourteen Days will make you smell the government coffee—weak, bitter, endlessly replenished—and understand how a nation’s fate can be hidden in the steam.


The public will come to this book for the same reason they came to Holcomb: to stare at the collision of innocence and cruelty, of the ordinary and the catastrophic. They will ask themselves: how could something so small—a definition, a date—reshape cancer care? They will discover the absurd power of language, of a single clause in Title 42 of the Code of Federal Regulations. They will laugh, then shudder, then laugh again.

And I, Truman Capote, will give them prose that makes it unforgettable. I will show you the brass bands of New Orleans clashing with the silence of a CMS conference room. I will show you bureaucrats who believe themselves humble servants and yet whose commas dictate billions. I will show you, in exquisite detail, how America governs itself not through speeches or elections, but through the accidental poetry of regulatory footnotes.


So: I ask for what I deserve. One hundred thousand dollars in advance. A pittance, when you consider the genius about to be unleashed. Do you doubt the public’s appetite? They lapped up four hundred pages about a murder in Kansas. Will they not devour four hundred pages about the slow strangulation of laboratories, the Kafkaesque calendar arithmetic of a government that tells oncologists, Wait two weeks or starve?

I can already hear the reviews: A sui generis masterpiece; Capote does for bureaucracy what he once did for bloodshed. They will say, In Cold Blood invented the nonfiction novel; Fourteen Days perfects it.

Do not be timid, my dear [Publisher]. Genius must be financed, and time—fourteen days, fourteen years—waits for no one.

Yours, as ever,
Truman


 ####

ALTERNATE REALITY:

###

Here’s a version of the publisher’s letter to Truman Capote, nudging him out of inertia, teasing him back toward the road and the typewriter, and framing the odd leap from In Cold Blood to the saga of the Fourteen Day Rule.


[Letterhead: Random House, New York, NY]
March 12, 1970

Mr. Truman Capote
United Nations Plaza
New York City

Dear Truman,

We have waited long, and we will wait longer if we must, but it would be dishonest not to say it aloud: the world waits for you. In Cold Blood was not simply a book, it was a phenomenon, a genre sui generis as some critics rather desperately phrased it. You proved that the novel of fact could be as compelling, as haunting, as any work of the imagination. It is no wonder that since then you have felt the weight of your own invention. How do you follow genius? How do you improve on a sui generis?

Permit me, then, a provocation.

While you have been searching for the proper subject, a curious story has been unfolding in the bureaucratic labyrinth of Washington. It is not a murder in Kansas, but it has its own kind of blood—blood samples, tissue blocks, and genomic tests that now govern the fate of the ill. The Centers for Medicare and Medicaid Services, in its joyless cubicles, has enacted something that sounds duller than dull: the “14 Day Rule.” And yet—here is the hook, Truman—it is a regulation that decides whether a woman with breast cancer learns the genomic truth of her tumor today or two weeks from now; whether a laboratory keeps its doors open or closes; whether the nation’s new science is liberated or smothered by a calendar.

A crime without criminals, a drama without a stage—exactly the sort of story only you could tell.

The public may balk at the distance between Holcomb, Kansas and Baltimore, Maryland. But I insist: the leap is not so wide. In Cold Blood exposed how ordinary lives are undone by a shotgun blast in the night; Fourteen Days (as I imagine we might title it) would expose how ordinary lives are undone by a comma in the Federal Register. One murder, one definition—each grotesque in its banality, each revealing America’s deepest truths.

I would like you to imagine yourself once more on the road—not in a Kansas motel this time, but in a budget hotel off I-95, Baltimore’s neon buzzing outside your window. Imagine yourself at a hearing where hospital lobbyists drone in monotone and patients rise trembling to speak of lost weeks, lost husbands. Imagine, Truman, those long, seductive conversations with the woman at the center of it all, Mary Sullivan—the mid-level bureaucrat who became, unwillingly, the Mother of Fourteen Days. There is character here. There is pathos. There is absurdity so extreme it verges on the tragicomic.

And there is you. Only you could make readers turn the pages, breathless, to discover what happened on day thirteen and day fifteen.

Do not think of this as a retreat from the heights of In Cold Blood. Think of it as the logical continuation: an American story told in a new key, an absurdist realism that will confirm your invention of a genre. If Holcomb was Gothic realism, Baltimore will be bureaucratic surrealism—In Cold Blood’s younger, slyer sibling.

We are ready to commit, Truman. To advance. To travel with you again, metaphorically, as you return to motels and typewriters and your genius for seeing what others dismiss. The amount—we can discuss—but I assure you, it will be six figures, as befits an undertaking worthy of your name.

Think on it. Mock it, if you must, but do not dismiss it. The American people, Truman, will line up for your next book, no matter its subject. Give them the 14 Day Rule, and I promise, they will think it a murder mystery. And they will be right.

With admiration and impatience,

Yours,
[Publisher’s Name]
Random House


 CAPOTE REPLIES TO PUBLISHER

Wonderful. Here is Truman’s imagined reply — arch, sly, both dismissive and intrigued — in his unmistakable voice.


United Nations Plaza, New York
March 20, 1970

My dearest [Publisher],

I have read your letter (twice, aloud, for the drama of it) and I am not sure whether to send you a bouquet of roses or a bucket of ice water. The 14 Day Rule? Really? After In Cold Blood, after the cathedral of dust and doom I built out of Holcomb, Kansas, you want me to pack my bags for Baltimore? Baltimore! And not even the interesting Baltimore of Edgar Allan Poe, but a Baltimore of fluorescent lights, water-stained ceiling tiles, and clerks arguing over commas.

You are out of your mind. And perhaps, so am I.

Because, as I set your letter down, I could see it. I could see the story you want me to tell: the widow in Ohio waiting for her husband’s test, the oncologist marking days like a prisoner marking his cell wall, the bureaucrat in sensible shoes carrying a burden she cannot name. It is absurd, yes, but then again, what is America if not absurd?

You are correct about one thing: the leap from Kansas to Baltimore is not so wide. Murder with a shotgun, murder by definition—both are sudden, both final, both indifferent to the humanity left in their wake. Holcomb had its killers in boots; Baltimore has its killers in binders.

I will confess, the perversity of it seduces me. To take what is boring, anesthetizing, dead on arrival—and to breathe into it life, horror, comedy. To make readers tremble as they follow the fate of a single clause. To make them laugh, then cry, then laugh again, until they realize they’ve been staring into the black hole of our national life: bureaucracy as fate.

But let me be plain. If I am to do this—if I am to rise from the velvet couch, leave my martinis unfinished, and consign myself once more to the motels and stenographers and the endless talk of the condemned—then it will not be for the thrill of charity. It will be for $100,000. At least. Paid promptly, without negotiation, as tribute to the mad experiment you are asking me to undertake.

And I will need time. Not fourteen days. Fourteen months, perhaps, of wandering those halls, listening to the monotone testimonies, coaxing from Mary Sullivan and her tribe the fatal poetry of their lives. I will need bourbon with lobbyists, midnight calls with senators, long silences in government cafeterias. And from this stew, perhaps, I can serve up something worthy of your expectations.

Do I believe this will rival In Cold Blood? No. Nothing can. But do I believe it could be something sui generis again, something to make critics scratch their heads and readers line up just to say they’ve read it? Yes, perhaps.

So—very well. I will consider your madness. I will consider Baltimore. I will consider fourteen days.

But if I do this, remember: when I turn a comma into a crime scene, when I make a nation weep over an obscure clause of federal law, you will owe me not only the advance, but your eternal gratitude.

Yours, amused and appalled,

Truman


👉 Would you like me to push this one step further and draft a sample “book proposal synopsis” in Capote’s voice — the kind he might sketch out for himself after this exchange, outlining Fourteen Days as if it were already a true-crime narrative?

###

Perfect. Here is a sample book proposal synopsis — written as Truman Capote might have drafted it for himself after the exchange, half blueprint, half performance, promising a sui generis masterpiece out of bureaucracy.


Proposal for a Nonfiction Novel

Working Title: Fourteen Days
Author: Truman Capote


Conception

In Cold Blood revealed how a brutal crime in a Kansas farmhouse could illuminate the entire American condition: loneliness, violence, the thin membrane of civilization. The new book, Fourteen Days, will perform a similar act of transformation. Out of a bureaucratic rule —a comma, a clause, an interval of time—will emerge a story of absurd cruelty and comic tragedy, an American fable of how lives are lost not to bullets but to paper.

The “14 Day Rule” was promulgated in 2006 by the Centers for Medicare and Medicaid Services. It defined when a laboratory could bill for tests performed on hospital specimens. It sounds unendurable in its dullness. But in practice, it delayed cancer testing, bankrupted laboratories, and bewildered patients. It is a crime without killers, a calamity without villains, and precisely for that reason, it is the most American story of all.


Method

I will do what I did before: leave my apartment, leave my parties, and live inside the subject. I will sit in Baltimore motels, drinking weak coffee in CMS conference rooms. I will interview Mary Sullivan, the mid-level bureaucrat who authored the regulation and became, by accident, the Mother of Fourteen Days. I will listen to the oncologists, the patient advocates, the hospital lobbyists who fought in those rooms. I will travel to Ohio, to meet widows who lost their husbands while paperwork lingered in drawers.

The same novelistic techniques will apply: scene, dialogue, atmosphere. But here the tone will shift from Gothic realism to absurdist realism. Kansas was blood on a linoleum floor; Baltimore will be fluorescent light on a regulation page. The menace is subtler, but no less fatal.


Characters

  • Mary Sullivan, a bureaucrat in sensible shoes, carrying the tragicomic burden of defining a date.

  • The Hospital Men, suited, solemn, intoning the sanctity of “bundling.”

  • The Lab Men, frantic, pleading, carrying folders of unpaid claims like ransom notes.

  • The Patients, rising one by one in drab hearing rooms to tell stories of lost time.

  • The Congressional Aides, bewildered, confessing over bourbon that they cannot explain any of it to their bosses.

These are not murderers, but their decisions carry the same weight of life and death.


Themes

  • Bureaucracy as Fate. How ordinary lives are governed not by leaders or laws, but by definitions in the Federal Register.

  • The Absurdity of Power. How one number —fourteen—became gospel, not for its reason but for its arbitrariness.

  • Comedy and Tragedy Intertwined. Doctors waiting to order tests until day fifteen; patients who discover that mortality can be scheduled by regulation.

  • The American Condition. That our cruelties are often bureaucratic rather than violent, committed with binders instead of shotguns.


Audience

The audience that devoured In Cold Blood will recognize the same Truman Capote signature: the high style of fiction wedded to the weight of fact. They will come to see how even the driest clause contains drama, absurdity, and tragedy. Reviewers will call it sui generis again. College students will carry it as a talisman of absurdist American literature. Policymakers will read it and weep, not for what it reveals, but because they recognize themselves in its pages.


Working Structure

Part I: The Comma
The origins of the date-of-service definition, negotiated rulemaking of 1997, and the slow creep of molecular diagnostics.

Part II: The Rooms
The CMS listening sessions in Baltimore: hospitals, labs, patients, and the invention of “14.”

Part III: The Fallout
Confusion in Congress, laboratories collapsing, patients in limbo. The number becomes legend.

Part IV: Fourteen Forever
The persistence of the rule, the permanence of the temporary, and the meditation on America’s obsession with definitions.


Conclusion

This will not be a “policy book.” It will be a novel of fact, a murder mystery without a body, a bureaucratic In Cold Blood. I will give the reader not only information but atmosphere: the smell of stale coffee in CMS, the whine of a brass band in New Orleans where Sullivan now lives, the creak of motel beds where I will write the night’s pages.

If In Cold Blood showed how crime unravels a family and a town, Fourteen Days will show how policy unravels patients and an industry. Both are stories of American fate, one bloody, one bloodless, each cruel in its way.

Advance requested: $100,000.


 

Superman-Poirot MashUp (AI)

 


Write a treatment for a mystery episode of the TV series, Superman, meaning the 1950s television series, except where Superman has the personality, language, and style of Poirot.

##


Love this idea — let’s call it “The Adventure of the Kryptonite Killer”, a 1950s Adventures of Superman episode treated as if Clark Kent/Superman has the wit, fastidiousness, and verbal style of Hercule Poirot. I’ll sketch it like a treatment a TV writer might hand in to Whitney Ellsworth (producer of the real series).


Treatment: The Adventure of the Kryptonite Killer

(An episode of The Adventures of Superman*, 1954–55 season)*


Premise

Superman’s unshakable strength is suddenly matched against an opponent who leaves no visible trace. Metropolis is terrorized by a string of “locked-room murders” — and Superman, adopting the urbane, meticulous reasoning of Hercule Poirot, must solve them.


Act I — A Puzzling Crime

  • The Daily Planet newsroom buzzes with reports of two wealthy industrialists found dead in locked offices, each apparently healthy men struck down without struggle.

  • Lois Lane presses Clark to cover the story, muttering, “This isn’t the sort of thing Superman usually solves — there’s no dynamite or gangsters here.”

  • Clark, with the gentle fussiness of Poirot, adjusts his tie and replies in a delicate Belgian-inflected cadence:
    “Ah, but mademoiselle, every crime, whether of muscle or of mind, leaves its little grey trace. We must employ, how do you say, the little grey cells.”


Act II — The Mysterious Method

  • Superman investigates the crime scenes, but instead of swooping through walls or blasting things with X-ray vision, he inspects the offices with meticulous attention to detail — rearranging papers, scrutinizing dust, noting a faint chemical odor.

  • Perry White scoffs: “Great Caesar’s Ghost, Kent, why aren’t you flying around the city catching crooks?”

  • Clark, remaining calm:
    “My dear editor, one does not chase shadows with speed. One must sit still, and let the shadows chase themselves.”


Act III — Suspects in a Drawing Room

  • The suspects — rival industrialists, a secretary with secrets, a chemist who designs rare metals — are gathered at a cocktail party.

  • Lois whispers, “Clark, why are we here mingling instead of patrolling the skies?”

  • Superman (still as Clark Kent):
    “Patience, Lois. To catch the killer, we must invite him to the stage. Observe the gestures, the slips of the tongue. Even Superman must bow to psychology.”


Act IV — The Revelation

  • At midnight, Clark reveals his hand. The killer has been using a sliver of kryptonite alloy hidden inside fountain pens gifted to his rivals. The alloy emitted just enough radiation to weaken them fatally without arousing suspicion.

  • In classic Poirot style, Clark lines up the suspects and recounts each possibility, discarding them one by one with theatrical precision.

  • He finally confronts the chemist:
    “Monsieur, you sought wealth, but you forgot the simple fact: when one tampers with kryptonite, one leaves a dust that no duster, however fine, can conceal.”

  • The killer breaks down, confessing.


Act V — Epilogue

  • Back at the Daily Planet, Perry congratulates Kent on solving the crime without a punch thrown.

  • Lois teases, “I didn’t know Superman was part detective, part philosopher.”

  • Clark smiles, smoothing his mustache-that-isn’t-there, replying in Poirot’s cadence:
    “Strength, Miss Lane, is admirable. But in the end, it is the order and harmony of the little grey cells that prevail.”

  • He adjusts his tie — cue theme music and credits.


Tone:

  • Filmed like the Adventures of Superman, with the same brisk runtime and black-and-white feel, but written in a drawing-room mystery style.

  • Superman’s mannerisms echo Poirot’s: fussy about clothes, meticulous about speech, always polite but a touch arrogant about his intellect.

  • The episode would play partly as affectionate parody, partly as genuine locked-room puzzle

##
Scene Excerpt (demo)

Scene: The Drawing-Room Reveal

INT. METROPOLIS PENTHOUSE – NIGHT

The suspects are assembled nervously: MR. BRADSHAW (the industrialist), MISS DOROTHY (the secretary), and DR. LINTON (the chemist). LOIS and PERRY watch from the side. CLARK KENT stands at the head of the room, spectacles glinting, hands fussily clasped before him. His voice is gentle but commanding, with that unmistakable Poirot precision.


CLARK (as Poirot-Superman)
Mes amis… you wonder why I, Clark Kent, have invited you here tonight. It is simple. A murderer sits among us. And yet — this murderer has never lifted a knife, never fired a gun, never soiled his hands with blood. Non. His weapon is more subtle… more insidious.

(He paces slowly, smoothing his tie, eyeing each guest in turn.)

CLARK
At first, the police, they believed in coincidence. Two powerful men, struck down in their locked offices. But coincidence, mes amis, is the refuge of the lazy mind. No, there was design… there was intention.

PERRY WHITE
Great Caesar’s Ghost, Kent, are you telling me these weren’t heart attacks?

CLARK
Precisely, Monsieur White. Not heart attacks, but poisonings… by radiation. A rare form, one I know only too well. Kryptonite.

(Gasps. Lois grips her notebook tightly.)

LOIS
But Clark… who could even get hold of kryptonite?

CLARK
Just so, Miss Lane. That is the question. And so, one by one, I examined you. Monsieur Bradshaw… too concerned with his ledgers to notice the dust upon his shoes. Mademoiselle Dorothy… ah, but her secret was of the heart, not of murder. Which leaves only…

(He turns, sharply, to DR. LINTON. His voice grows firmer, though still precise.)

CLARK
Doctor Linton. You, the chemist, with the knowledge of rare metals, the only one who could shape kryptonite so delicately… conceal it inside a gift so harmless, so innocent… a fountain pen.

(He produces the gleaming pen, holding it delicately with a handkerchief.)

CLARK
With each stroke of the nib, the radiation seeped into the body. Invisible, deadly. And when I brushed the pen under my X-ray vision — voilà! — the telltale dust glowed like green embers.

DR. LINTON
(voice cracking) No… no one could have seen that!

CLARK
No ordinary man, perhaps. But I, who am called Superman, saw. Yet it was not the muscles, Doctor, that defeated you. It was the little grey cells.

(Linton collapses into a chair, defeated. The police, standing ready, move in to take him away.)

LOIS
Well, Clark… I never thought I’d see the day Superman solved a crime without even flying.

CLARK
(smiling, fussy) Ah, mademoiselle… to soar in the sky is admirable, yes. But to soar in the mind… that is the greater gift.

(He adjusts his tie just so, a hint of pride in his eyes. Cue triumphant music and fade-out.)

##



14 Day Rule; New Yorker, 8000 word article about CMS's Mary Sullivan

 

The Fourteen Day Rule Sage:  An Experiment in AI

 

The “Fourteen Day Rule” is an obscure corner of Medicare policy that governs payment for laboratory tests in the hospital inpatient outpatient setting.

 

I gave Chat GPT 5 several tasks, and published them on my health policy blog.

 

 

From August 20, here is PART ONE, which tells the actual history of the 14 day rule.  How it emerged from several CMS publications over several years.

https://www.discoveriesinhealthpolicy.com/2025/08/medicares-14-day-rule-where-did-it-come.html

 

 

From August 20, here is PART TWO, the 14 Day Rule as a “dramatic novel” that recreates exciting historical events.

https://www.discoveriesinhealthpolicy.com/2025/08/14-day-rule-part-two-dramatic-novel-ai.html

 

BELOW: From August 23, PART THREE.   In which we ask Chat GPT to write an article in the style of THE NEW YORKER, about Mary Sullivan, the CMS leader in charge of the 14 day rule (Mary, now retired, is entirely fictional).

 See also:  Truman Capote proposes 14 Day Rule as his next blockbuster project, after IN COLD BLOOD - here.

 

# # #

 

NEW YORKER – SHORT VERSION

 

The Woman Who Invented Fourteen Days

By [Your Name]

On a warm afternoon in New Orleans, Mary Sullivan—sixty-eight, small-boned, still sharp as a needle—sits on the balcony of a shotgun house in the French Quarter, sipping chicory coffee. The shutters are open to the street below, where a brass band rehearses for a wedding procession. “People think the 14 Day Rule was born in a conference room,” she tells me. “But it was really born in a thousand sighs. Mine, mostly.”

She laughs, though the laugh sounds more rueful than amused. Sullivan was the head of the Hospital and Ambulatory Payment Group at CMS in 2006 and 2007, a job that carried with it the bureaucratic equivalent of an impossible math problem: ensuring that the sprawling Medicare program paid fairly for hospital services while preventing what insiders call “unbundling”—the siphoning off of billable items into ever smaller, more lucrative pieces. “It sounds dull,” she admits. “But dull things are often where the real blood is shed.”


I. The Apparent Banality

At first glance, the 14 Day Rule was a regulation about a phrase—date of service. This phrase should have been boring. An administrative clarification, tucked into the back pages of the Federal Register. It was the kind of definition you could imagine scrawled on a napkin between two bored lawyers.

But the impact was anything but clerical. For the fast-growing molecular diagnostics industry—then still in its adolescence—the rule effectively meant that any test performed on a specimen collected during a hospital stay was “bundled” into the hospital’s payment if ordered within 14 days of discharge. Pathologists soon discovered that genomic tests guiding cancer therapy could not be billed to Medicare unless physicians waited, almost theatrically, for two Sundays to pass.

“Fourteen days was a compromise number,” Sullivan recalls. “It wasn’t based on oncology, or genomics, or anything in medicine at all. It was based on how long we thought it would take for the hospital episode to be seen as definitively ‘over.’ Fourteen days sounded neutral. Reasonable. Everyone hated it, so I figured it might stick.”


II. The Atmosphere of Contention

The period was contentious in ways hard to convey to outsiders. Hospitals accused independent labs of trying to cherry-pick lucrative tests out of DRGs. Labs accused hospitals of hoarding specimens. Congressional staffers, tasked with explaining it all to their bosses, despaired. “A staffer once told me,” Sullivan says, “that if he had to explain the 14 Day Rule one more time, he’d defect to the Agriculture Committee.”

Senior officials at HHS were no better. “The Secretary would get these letters from cancer advocacy groups saying, My husband’s test was denied because of the 14 Day Rule,” she recalls. “And then, inevitably, someone from upstairs would call me and say, ‘Mary, what is this?’ And I’d say: It’s exactly what you told us to write last December.

She pauses, savoring the absurdity. “Bureaucracy has this way of creating comedy out of tragedy. Or maybe it’s tragedy out of comedy. I’m still not sure which.”


III. The Confusion as Legacy

What made the episode so memorable, Sullivan reflects, is not the policy itself but the confusion it sowed. “The 14 Day Rule became a kind of Rorschach test,” she says. “Hospitals thought it was about protecting them. Labs thought it was about killing them. Patients thought it was about denying care. And inside CMS, we thought it was just about making the claims system work.”

The awareness of its repercussions, she says, emerged slowly, like ink spreading across blotter paper. “At first, only a few labs understood how serious it was. Then oncologists started calling. Then Congress got letters. By the time we realized it was a political problem, the thing was already enshrined in regulation.”


IV. The French Quarter Aftermath

In retirement, Sullivan occupies a world far from the fluorescent-lit cubicles of Baltimore. Her neighbors are painters and jazz musicians. Her mornings are punctuated by the sound of streetcars and the clatter of dishes in corner cafés. “It’s almost funny,” she says, “to think that something so dry—the date of service—became my legacy. In New Orleans, people ask me what I did, and when I tell them, they just look at me blankly. Which is a relief.”

And yet, among lab professionals, she is infamous. The 14 Day Rule is still cited in presentations and white papers, often with a groan. Some laugh at its arbitrariness; others curse its endurance. “I’ve been called the Mother of Fourteen Days,” Sullivan says, mock-solemn. “If they ever build a statue, I hope it’s at least in bronze.”


V. Tongue-in-Cheek Epilogue

The truth is that Sullivan’s rule, like so many Medicare oddities, is both ridiculous and consequential. Its arbitrariness makes it a punchline at conferences, while its real-world impact shaped the economics of molecular oncology for a decade. “The irony,” Sullivan concludes, “is that it was never meant to be permanent. We assumed the industry would evolve, Congress would revisit it, something would change. But in Washington, nothing is so permanent as the temporary.”

She looks down at the street, where the brass band has resumed its march. “Fourteen days,” she muses, “that’s not even half a month. And yet, in policy years, it turned out to be forever.”

 

 

 

# # #

 

Chat GPT offered to write a longer 5000 word article but in sections of about 1000 words each.  As below.

 

# # #

 

ONE

Excellent. Here is Section I: “Arrival in the Quarter” — about 1,000 words — written in the style of a Janet Malcolm profile in The New Yorker.


The Woman Who Invented Fourteen Days

I. Arrival in the Quarter

On a narrow street in the French Quarter of New Orleans, where balconies lean like tipsy spectators over the slow-moving tourists below, Mary Sullivan lives in what she calls her “bureaucrat’s retirement fantasy.” It is a faded but carefully maintained Creole townhouse, with the shuttered windows painted a shade of green that looks more Parisian than Southern. From her balcony you can hear a brass band rehearsing somewhere down Dauphine Street. On days when the wind is right, the smell of beignets and frying oil from Café du Monde drifts inside.

Sullivan is sixty-eight now, with short-cropped white hair and a way of tilting her head, slightly birdlike, when she listens. She is not a woman you would immediately recognize as having changed the economics of cancer testing in the United States, though she has. “When I tell people here what I did, they nod politely and ask if I’d like more chicory coffee,” she says. “No one in New Orleans has ever heard of the 14 Day Rule. Which is a relief. It means I can buy groceries without anyone hissing.”

The 14 Day Rule—officially, an amendment to Section 414.510 of the Code of Federal Regulations, published in December 2006—is one of those obscure Medicare regulations that looks like a footnote but behaves like a landmine. It defines, in dry bureaucratic terms, the “date of service” for a laboratory test performed on a hospital-collected specimen. The phrase alone—date of service—suggests something innocuous, even clerical. But in practice, the rule has haunted molecular diagnostics for nearly two decades.

The regulation, in plainest terms, said that if a physician ordered a molecular test within two weeks of a hospital discharge, payment for the test would be bundled into the hospital’s global payment. Only if the physician waited until day fifteen or later could the laboratory bill Medicare directly. This seemingly small change produced a cascade of strange effects: labs waiting, sometimes absurdly, to run tests; oncologists timing their orders like chess moves; hospitals and labs fighting over control of specimens.

Sullivan, in her balcony chair, looks back on it with a mixture of amusement and fatigue. “It was a definition,” she says. “That’s all. A definition that happened to carry billions of dollars on its back.”


In conversation, Sullivan has the even, careful diction of someone who has spent her life surrounded by lawyers. Every clause is qualified, every assertion hedged, though occasionally she will let out a sharp laugh at her own expense. She spent thirty years in government service, the last ten as head of the Hospital and Ambulatory Payment Group at the Centers for Medicare & Medicaid Services. “It sounds important,” she says, “but really it meant that I sat in a lot of windowless conference rooms trying to keep hospitals, doctors, and labs from killing each other.”

When she moved to New Orleans after retirement, she was determined to leave that world behind. She threw out most of her briefing binders, keeping only a single black notebook that she sometimes flips through when old colleagues call. The rest—stacks of Federal Register clippings, annotated with yellow sticky notes—she donated to a library in Baltimore that, she suspects, promptly recycled them. “It felt like an exorcism,” she says.

And yet she knows that in her corner of the world—among policy analysts, lab executives, and hospital finance officers—her name is permanently linked to one number. Fourteen. “If I’m remembered at all,” she says, “it’s as the mother of fourteen days.” She says this with a trace of irony, but not without pride.


The strangeness of the 14 Day Rule lies partly in how slowly its significance dawned on the people it governed. At first, it appeared to be an administrative housekeeping measure. But as molecular oncology blossomed in the late 2000s, the rule revealed itself as a choke point. Reference labs, who were building businesses around the analysis of DNA and RNA extracted from hospital tissue blocks, discovered that the rule placed their most lucrative claims inside the hospital’s payment window. Hospitals, never eager to share revenue, embraced this as a kind of windfall. “You’d have congressional staffers staring at us in hearings,” Sullivan recalls, “and you could see them thinking, How did a billing rule turn into a cancer care crisis?

She laughs, remembering. “They were right. It was ridiculous.”


One of the charms of interviewing Sullivan is her refusal to indulge in the kind of piety that often accompanies retrospectives of government service. She does not speak of “serving the American people” or of her time in office as a noble sacrifice. Instead she describes it as “work”—work she did competently, doggedly, often thanklessly. “You have to understand,” she says, “bureaucracy isn’t about heroism. It’s about inertia. It’s about keeping the wheels turning. The art is in making tiny adjustments so the wheels don’t fly off. The 14 Day Rule was one of those adjustments.”

Yet, like many such adjustments, it outlived its context. In New Orleans, Sullivan often runs into tourists who have come for medical conferences—oncologists in polo shirts, pathologists with rolling carry-ons. “Every now and then,” she says, “one of them will ask me if I’m that Mary Sullivan. And I’ll say, yes, but only after you buy me a Sazerac.”


The French Quarter is a strange place to discuss Medicare payment policy. On the afternoon I visit, a jazz funeral clatters by, the mourners dancing behind a brass band playing “When the Saints Go Marching In.” Sullivan watches from her balcony, clapping softly to the beat. “This,” she says, “is the opposite of Baltimore.”

In Baltimore, in the years she presided over the Hospital and Ambulatory Payment Group, her days began at 6:00 a.m. with coffee in a government-issue Styrofoam cup and ended at 9:00 p.m. in a conference room that smelled of dry-erase markers. In New Orleans, her mornings begin with a walk to the French Market, her evenings with oysters on the half-shell at Antoine’s. “You could say I’ve been unbundled,” she jokes.

The irony, of course, is that Sullivan’s escape from Washington is never complete. The 14 Day Rule continues to follow her. Colleagues still call when Medicare proposes changes. Younger staffers still ask what the “original intent” was. Journalists (like me) still arrive with notebooks, eager to reconstruct the bureaucratic archaeology of a regulation that was meant to clarify, but ended by confusing.

“It’s the curse of definitions,” Sullivan says, gazing down at the tourists below. “They look so clean on the page. But once they enter the world, they become lives. And lives are never clean.”

 

 

TWO

 

The Woman Who Invented Fourteen Days

II. The Bureaucrat’s Apprenticeship

Mary Sullivan’s biography does not resemble the linear progress of a Washington résumé. She was raised in Worcester, Massachusetts, the daughter of a postal worker and a school secretary. Her father carried mail on foot; her mother typed attendance lists for the Catholic high school where Mary and her three siblings were educated. “We were a family of rule-followers,” she tells me. “Rules weren’t oppressive. They were how you made sense of the day. My father believed in the sanctity of the mail schedule. My mother believed in the sanctity of report cards. I suppose I was doomed.”

As a teenager she was a good but not dazzling student—an English major’s gift for composition mixed with a mathematician’s fondness for neatness. She enrolled at Boston College, studying economics at a time when women were still a curiosity in the lecture hall. “I liked the elegance of it,” she recalls. “The charts, the equations. But more than anything, I liked that it gave names to things you already felt were true.” She pauses. “It was a way of turning common sense into rules.”

She came to Washington in 1979, in the Carter years, hired as a GS-9 analyst at what was then the Health Care Financing Administration (HCFA). Her assignment was to help track the early implementation of the prospective payment system, a project that turned the reimbursement world upside down. Until then, hospitals billed Medicare by tallying up their charges; suddenly they were being paid by fixed bundles called DRGs, diagnosis-related groups. “Everyone was panicking,” she says. “Hospitals thought they would collapse. Doctors thought they would revolt. Patients thought they would die in the hallway. And the truth was—it kind of worked. Badly, at first. But it worked.”

The chaos appealed to her. “I realized I was good at being the person in the middle,” she says. “Doctors yelled at me, hospitals yelled at me, members of Congress yelled at me. And I found it oddly calming.” She smiles, and for a moment she looks like a conductor recalling the early days of an orchestra.


The culture of HCFA—later renamed CMS—was one of procedural obsession. Analysts argued over commas in regulations, not out of pedantry but because commas determined money. “If you said ‘services furnished incident to physician services’ instead of ‘services furnished, incident to physician services,’ millions of dollars moved,” Sullivan recalls. “We learned quickly that punctuation was policy.”

In the late 1990s she rose into management, a path she did not seek but did not resist. “I was never ambitious in the sense of wanting a title,” she insists. “But I was ambitious about clarity. If something didn’t make sense, I wanted to be in the room where it got hammered out.” She became deputy director of hospital payment systems in 2001, just as molecular diagnostics were starting to appear in journals and in the faint murmurings of billing disputes.

By 2005 she was the head of the Hospital and Ambulatory Payment Group, a position that came with a permanent seat at the long oak conference table where coverage rules were written. Her staff—sixty economists, analysts, and clinicians—worked out of a drab office tower in Baltimore. “We weren’t glamorous,” she says. “If NIH was a cathedral of science, CMS was a warehouse of receipts.”

But to Sullivan, the warehouse had its own beauty. She describes the annual cycle of policymaking the way a farmer might describe the rhythm of the seasons: proposed rule in August, final rule in November, implementation in January. “It was eternal recurrence,” she says. “You couldn’t get attached to a decision because it would come around again next year. Like Lent.”


When I ask her what qualities made her successful at CMS, she thinks for a long moment. “You had to be willing to be hated,” she says finally. “Every decision created losers. If you bundled a service, hospitals thanked you and labs cursed you. If you unbundled, it was the reverse. People called you cruel, stupid, dishonest. You had to be able to read those letters and still go home and cook dinner.”

She tells me a story from 2004, when CMS was debating whether to cover PET scans for cancer staging. At a stakeholder meeting, a prominent oncologist pounded the table and called her a murderer. “I went back to my office and shut the door,” she says. “And then I laughed for ten minutes straight. Not because it was funny, but because it was absurd. I was an economist with a government badge. I didn’t hold anyone’s life in my hands. And yet, in that moment, to him, I did.”

This was the paradox of bureaucratic life: you were both invisible and omnipotent, ignored and reviled. “People think the real decisions happen in Congress,” Sullivan says. “But the truth is, Congress passes a vague law, and then someone like me has to decide what ‘reasonable and necessary’ means on page 437 of a manual. That’s where reality is made.”


Her apprenticeship at CMS also taught her the theater of regulation. Public comment periods, listening sessions, stakeholder roundtables—these were rituals in which every actor played a role. “Hospitals would say they couldn’t survive another cut. Labs would say they couldn’t survive another bundling. Doctors would say patients would die. Patients would come with heartbreaking stories. And we would nod, take notes, and then retreat to a room where the real discussion was: How will this edit run on the claims system?

She insists that she respected the passion of the stakeholders. “But we knew that everyone had money in the game. You couldn’t let yourself be swept away by sincerity. The trick was to hear the story and then translate it into a line of code.”

By 2006, Sullivan had acquired a reputation inside CMS as a steady hand. “Mary could calm a room,” recalls a former colleague. “She had this way of listening without giving anything away. She’d let people rage at her for thirty minutes, and then she’d say, ‘Thank you, that’s helpful,’ and they’d leave thinking she was on their side. She wasn’t on anyone’s side. She was on the side of the rulebook.”


This temperament—equable, slightly ironic, allergic to drama—was about to be tested by a problem that seemed trivial until it exploded: the definition of the “date of service.” It was a problem inherited from the 1997 Balanced Budget Act, which had forced CMS into negotiated rulemaking with labs to harmonize national coverage policies. In the course of that process, CMS had defined the date of service as the date the specimen was collected. That seemed reasonable enough—until it wasn’t.

Archived specimens—paraffin blocks stored for months or years—did not fit neatly into this definition. If the date of service was locked to the collection date, labs could not bill Medicare for tests run long after the original hospitalization. CMS improvised a fix: if the specimen was stored for more than thirty days, the date of service became the date the specimen was retrieved. It was an inelegant solution, but it worked—until new molecular assays began to be performed on fresh surgical specimens. Suddenly, hospitals and labs were colliding over claims that no one had anticipated in 1997.

This was the problem that landed on Sullivan’s desk in the spring of 2006. “It looked like housekeeping,” she says. “Just a small clarification. But I could feel immediately it was going to turn into a battle.”


As she tells me this, the brass band outside has finished its rehearsal, and the Quarter is filling with the dusk clatter of dinner service. Sullivan leans back, her coffee long gone cold. “It’s funny,” she says. “I spent my youth thinking I’d be a teacher. I imagined myself correcting essays, writing neat red comments in the margins. And instead I spent my life correcting statutes, writing neat blue comments in the margins of the CFR. In a way, I got exactly what I wanted.”

 

 

THREE

 

The Woman Who Invented Fourteen Days

III. The Problem of the Date of Service

Among the hundreds of definitions tucked into the Medicare manuals, date of service might have seemed the safest from controversy. It was, after all, only a date: the day something happened. But in Medicare, as Mary Sullivan likes to remind you, dates are money.

When the Balanced Budget Act of 1997 mandated “negotiated rulemaking” for laboratory services, CMS was forced into a peculiar, months-long parley with the clinical lab industry. The aim was to eliminate the notorious patchwork of local coverage decisions. “Quest would get paid in Boston for something it wouldn’t get paid for in Dallas,” Sullivan explains. “Labs were spending more time deciphering carrier policies than doing science. Congress told us to fix it.”

The fix was a set of 23 National Coverage Determinations, published in 2001. They covered common tests—prothrombin time, thyroid assays, urine cultures—and were meant to be definitive. Alongside these, CMS quietly issued a definition: the date of service for a lab test was the date the specimen was collected. To anyone not steeped in Medicare arcana, this seemed like a sentence unworthy of comment. But to Sullivan, even then a deputy division director, it had the scent of trouble.

“Specimens don’t all behave alike,” she says. “Blood is ephemeral—you draw it and test it. But tissue blocks can sit in paraffin for years. What happens when you go back later?”

Her worry was prescient. In 2001, the problem was theoretical. By 2005, it was tangible. Labs were retrieving old blocks for new immunohistochemistry stains; then for HER2 assays; and soon, for the molecular tests that were starting to enter oncology practice. If the date of service was frozen at the original collection date, labs could not bill Medicare for tests run months or years later. No one could submit a claim from 2003 in the year 2005.

The initial workaround was the “30-day archive rule.” If the specimen had been stored for more than thirty days, the date of service shifted to the day it was retrieved. The language was clumsy—what constituted “archive”? Did a shelf count? A drawer? A fridge?—but it kept claims flowing. “We thought of it as a patch,” Sullivan says. “Like duct tape on a pipe. Ugly, but it held.”


The deeper problem emerged from the other side of the equation: hospitals. Under Medicare’s inpatient payment system, virtually all services provided during a hospital stay were “bundled” into the DRG payment. If a surgeon removed a tumor and sent the tissue to pathology, any associated tests were assumed to be part of the hospital’s global bill. But what if, two weeks later, the oncologist wanted a genomic panel on that same tissue? Was it part of the hospital’s episode, or a new service?

Hospitals argued the former. Labs, increasingly independent and national, argued the latter. The result was a bureaucratic no-man’s-land. Claims ping-ponged between carriers. Some were denied outright. Others were paid inconsistently. Patients were left in limbo. “Everyone wanted clarity,” Sullivan recalls. “No one wanted the clarity we were about to give them.”


What complicated matters was the timing of molecular oncology’s rise. By 2006, genomic assays were no longer curiosities in academic journals; they were creeping into clinical guidelines. Tests for KRAS mutations in colorectal cancer, EGFR in lung cancer, BCR-ABL monitoring in leukemia—all were beginning to dictate therapy. “It was the moment when DNA went from being a research tool to being a prescription pad,” Sullivan says.

But Medicare’s payment systems were still built for an earlier era. They assumed that tests were routine, cheap, and contemporaneous with the hospital encounter. The notion that a specimen could generate claims weeks later, at prices in the thousands, seemed to violate the metaphysics of DRGs. “Hospitals felt blindsided,” Sullivan says. “They believed they had bought the cow. And suddenly the labs were selling them the milk separately.”

In May 2006, a series of test cases reached Sullivan’s desk: inpatient colectomies where oncologists had ordered KRAS testing ten days after discharge, only to find the claims denied. The hospitals refused to pay. The labs appealed. The patients complained to their senators. “That’s when I knew,” she says, “this wasn’t duct tape anymore. The pipe was bursting.”


The atmosphere inside CMS was one of exasperated bewilderment. Senior officials at HHS, when briefed, asked the obvious but impossible question: why couldn’t the labs just bill Medicare like they did for everything else? “Because of bundling,” Sullivan told them. “Because once you’re in the hospital stay, you belong to the hospital.”

Even seasoned congressional staffers found it impenetrable. One aide on the Senate Finance Committee confessed to Sullivan, “I can’t explain this to my boss without a whiteboard and a tranquilizer.” She laughed at the time, but the comment haunted her. “If staffers couldn’t understand it, how could patients?”

In the summer of 2006, CMS staff convened a series of “listening sessions” with stakeholders. Sullivan chaired them from the head of a long government-issue table. On one side sat the hospital associations; on the other, the laboratory coalitions. In between, patient advocates, oncologists, and a sprinkling of congressional aides. The meetings were polite, but the tension was palpable.

Hospitals warned of unbundling. Labs warned of financial ruin. Patients told harrowing stories. “Everyone had sincerity on their side,” Sullivan says. “And sincerity is very persuasive. But sincerity is not policy.”


What Sullivan and her colleagues faced was not just a policy gap but a definitional void. If the date of service remained fixed at the collection date, labs were frozen out. If it floated indefinitely, hospitals cried foul. The 30-day archive rule solved one corner of the puzzle but left the larger one intact: what about fresh surgical specimens tested shortly after discharge?

By August 2006, the solution had coalesced in drafts of the proposed Physician Fee Schedule rule: create an exception. If a test was ordered at least 14 days after discharge, the date of service would shift to the date of performance. The number was not scientifically derived; it was bureaucratically derived. Seven seemed too short—too obviously a loophole. Twenty-one seemed too long—clinically unworkable. Fourteen was Goldilocks.

“I wish I could tell you there was a grand theory,” Sullivan says. “But it was just a number that annoyed everyone equally.”


As she recounts this, Sullivan leans forward, as if still in that Baltimore conference room. Her voice takes on the dry precision of regulatory prose. “The date of service of a clinical laboratory test, for a patient who was a hospital inpatient or outpatient, shall be the date the test is performed if ordered by the patient’s physician at least 14 days after the patient’s discharge.”

She delivers it like scripture, then collapses into laughter. “There it is,” she says. “The sentence that launched a thousand audits.”


For outsiders, the absurdity is difficult to convey. What sounded like a calendar quibble became the fulcrum of the molecular lab industry’s economics. For years afterward, conference presentations in oncology included a slide explaining the 14 Day Rule. Patient advocacy groups lobbied against it. Congress held hearings about it. And yet, to this day, the regulation survives largely unchanged.

In Sullivan’s telling, the drama of the 14 Day Rule was not that it was cruel, or unjust, or even particularly foolish. It was that it was banal. “People wanted villains,” she says. “But it was just us, in Baltimore, trying to make the edits run on the claims system.”

 

# # #

 

FOUR

 

Great. Here is Section IV: “The Meetings” — in the Janet Malcolm / New Yorker style, focusing on scene and atmosphere. About ~1,100 words.


The Woman Who Invented Fourteen Days

IV. The Meetings

The conference rooms at CMS headquarters in Baltimore were indistinguishable from one another—rectangular, fluorescent-lit, drab. If there was a design philosophy, it was to sap the will to grandstand. And yet in the summer of 2006, these rooms briefly became the stage for a drama of hospitals, laboratories, and patients locked in a debate about a number: fourteen.

Mary Sullivan chaired the sessions from the head of the table. She carried no gavel, but she had the air of someone who could stop a shouting match by raising an eyebrow. “The listening session,” she says, “is one of the great Washington euphemisms. It means we invite you to speak, we nod, and then we go back to our offices and do what we were going to do anyway.”

Still, people came. They filled the plastic chairs with position papers, prepared remarks, and palpable grievances. On one side sat representatives from the American Hospital Association, dressed in the dark suits of people who understood how to find the Rayburn Building without a map. Across from them, the lab coalitions—Quest, LabCorp, a handful of specialty genomic startups that looked like children at a family reunion. Interspersed were patient advocates: men in baseball caps who had survived colon cancer, women with pink scarves for breast cancer awareness. At the edges of the room hovered congressional aides with yellow legal pads, scribbling furiously and betraying their confusion with every furrowed brow.

The script was predictable. The hospitals spoke of the sanctity of bundling. “The DRG system is designed to capture all services related to the inpatient stay,” one vice president intoned. “Allowing laboratories to bill separately undermines the integrity of the payment system.”

The labs countered with stories of delay. “We cannot survive if our claims are tied to hospitals that have no incentive to pay us,” a LabCorp attorney said. “These are advanced tests, ordered by oncologists making treatment decisions. The hospital’s global payment has nothing to do with them.”

Then came the patients. A man named George, sixty-five, from Ohio, stood to describe his wife’s ovarian cancer. “The doctors said they needed to run a test,” he said, “but the hospital wouldn’t release the tissue until they figured out who would pay. By the time it was resolved, it was too late.” His voice broke, and for a moment even the lobbyists looked down at their shoes.

Sullivan listened to all of it, stone-faced. She knew that sincerity, in this arena, was currency—but also a distortion. “Everyone had a story,” she recalls. “And every story was true. That was the problem. No one was lying. But no two truths fit together.”


The staff analysts who accompanied her—young, overworked, loyal—took notes in careful longhand. They would later spend hours parsing the testimony, distilling it into a single line in the preamble of the Federal Register. Several commenters expressed concern that the proposed rule could delay access to medically necessary molecular testing.

The translation always amused Sullivan. “You could have a man weeping in front of you, and it became a single clause,” she says. “That’s bureaucracy. It’s not cruelty. It’s compression.”

The real debates happened afterward, in Sullivan’s office, where she gathered her senior team. There was Theo, a lawyer who had once clerked for the D.C. Circuit and spoke in footnotes; Janet, a nurse-turned-analyst who still carried a clinician’s indignation into every meeting; Raj, a quiet Indian statistician who seemed to find joy in the elegance of claims edits. Together, they wrestled with the problem.

“What if we made it ten days?” Janet suggested at one point.

“Too neat,” Theo said. “Looks like we pulled it out of a hat.”

“What about twenty-one?”

“Too long,” Sullivan said. “Clinically, oncologists will revolt.”

“Fourteen?” Raj offered.

They paused. Fourteen had the odd quality of sounding deliberate without being obvious. It was not a week, not a month, not divisible into a tidy fraction of anything else. It was, as Sullivan would later put it, “a number no one loved.”


The listening sessions took on a strange rhythm. Hospitals rehearsed their fears of “fragmentation.” Labs rehearsed their pleas for survival. Patients rehearsed their tragedies. And Sullivan rehearsed her neutrality, the art of nodding at incompatible truths. “You couldn’t let yourself be moved by the most eloquent speaker,” she says. “That was the surest way to make bad policy.”

Once, after a particularly heated exchange, a congressional aide pulled her aside and asked, “Why don’t you just split the difference?” She smiled and said, “That’s exactly what we’re trying to do. The difference just happens to be fourteen.”


The irony, of course, was that none of the stakeholders really understood how the rule would operate once it was in place. Hospitals assumed they would retain control of claims; labs assumed they could find workarounds; patients assumed someone, somewhere, would do the right thing. Even Sullivan and her team only dimly appreciated the ripple effects. “We thought we were clarifying,” she says. “We didn’t realize we were planting a time bomb.”

The mood in the meetings oscillated between earnestness and farce. At one, a hospital lobbyist accused the labs of “picking Medicare’s pocket.” At another, a lab attorney accused hospitals of “holding patient tissue hostage.” Patient advocates shouted “Shame!” like an audience at a play. And all the while, Sullivan sat in the middle, hands folded, knowing that the regulation was already half-written.


When I ask her what she remembers most vividly, she doesn’t mention the testimonies. She mentions the coffee. “It was always terrible,” she says. “That weak government coffee in brown plastic carafes. By the third session I realized everyone was talking past each other in a caffeine fog.”

She recalls slipping away during a break to the atrium, where sunlight slanted through glass panels onto the beige carpet. “I remember thinking: I am in charge of defining a date. Just a date. And yet the entire molecular diagnostics industry is staring at me like I’m holding their future in my hand.”


The sessions ended, as they always did, with no resolution. Stakeholders filed out, muttering to reporters. The aides went back to their bosses with memos that began, The issue remains contentious. And Sullivan returned to her office, where a draft rule awaited her signature.

The 14 Day Rule, as it would come to be known, was not born in those meetings. It was born in the silences afterward—in the moments when Sullivan and her team weighed numbers like ten, twenty-one, and fourteen, and asked themselves not what was right but what would survive.


 

 

FIVE

 

The Woman Who Invented Fourteen Days

V. The Fourteen Days Emerge

On August 22, 2006, the Federal Register published a notice that few outside the cloistered world of Medicare payment policy would ever read. It was a proposed rule—volume 71, page 49065—that contained within its bureaucratic prose a sentence that would alter the molecular diagnostics industry for years to come. It suggested, in essence, that when a laboratory test was ordered more than 14 days after a hospital discharge, the date of service would be deemed the date of performance.

The sentence was so compact as to be invisible. It lay buried among hundreds of pages of updates about physician fees, geographic adjustments, and arcane payment tweaks. Yet, like a landmine, it would detonate once stepped on.

Mary Sullivan remembers the day well. “We had been drafting for weeks,” she says, “arguing over verbs and participles. When it finally appeared in print, it looked inevitable. But I knew how rickety it really was.”


The choice of fourteen days was, as she has told me repeatedly, less a matter of science than of survivability. “Seven days looked like gaming,” she says. “Twenty-one was too long for oncologists. Fourteen felt like the bureaucratic middle ground. If everyone groaned, I figured we were close to right.”

The internal debates at CMS had been tortured. Lawyers feared the rule would be challenged as arbitrary. Clinicians worried it would delay care. Programmers fretted about how to code the exception into the claims-processing system. “At one point,” Sullivan recalls, “our IT lead told me, ‘You’re asking the system to know the difference between ten days and fifteen days. That’s like asking it to know the difference between Tuesday and next Tuesday. It doesn’t think that way.’”

But in the end, they coded it.


When the draft was sent to the Office of Management and Budget for clearance, Sullivan accompanied it with a memo that tried to make the rule sound more principled than it was. She described the 14-day interval as a “reasonable proxy for distinguishing inpatient care from post-discharge care.” She inserted words like “clarify,” “standardize,” and “protect program integrity.”

Reading the memo now, from the comfort of her French Quarter balcony, she smiles at her own artfulness. “You learn to make things sound inevitable,” she says. “The trick is to use words that nobody wants to oppose. Who is against clarity?”

OMB staff were skeptical, but not enough to block it. They asked whether fourteen had any clinical basis. Sullivan replied, with bureaucratic frankness, “It is a compromise interval, chosen to balance competing concerns.” She recalls the silence on the phone. “They didn’t like it,” she says. “But they didn’t have a better number.”


Once published, the proposed rule triggered the usual 60-day comment period. Comments poured in—dense letters from hospital associations, anguished pleas from labs, heartfelt notes from patient advocates. Congressional offices sent inquiries. The responses revealed a striking confusion. Many readers misinterpreted the rule altogether, believing it applied to all outpatient lab tests, or that it prohibited molecular testing within 14 days altogether.

“People kept asking me if the test was illegal during the window,” Sullivan recalls, shaking her head. “No. It was billable—just bundled. But the difference between ‘illegal’ and ‘bundled’ was not one the public grasped.”

The confusion seeped upward. Senior HHS officials, when briefed, asked whether patients would be denied tests. “We said no, but we couldn’t promise there wouldn’t be delays,” Sullivan says. “Hospitals had no incentive to pay for tests they weren’t billing for. Labs had no incentive to run tests they couldn’t bill. The patient was in the middle.”


The arbitrariness of the number haunted her. “I knew we’d be asked, over and over, why fourteen,” she says. “I dreaded the moment in a congressional hearing when someone would lean forward and say, ‘Why not thirteen?’”

To prepare, she devised a narrative. Fourteen, she would say, was chosen after extensive consultation with stakeholders, as the interval that best separated inpatient from outpatient care. It was half a month, two Sundays, a period that gave physicians time to reflect before ordering additional tests. “It was nonsense,” she admits now. “But it sounded just plausible enough.”

The truth, as she describes it, was that the number was less important than the act of drawing a line. “Without a line, we were in chaos,” she says. “With a line, we were in resentment. Chaos is worse.”


Among her staff, the publication of the proposed rule was a moment of anticlimax. They had labored over its language for months, and now it was out in the world, greeted with a shrug by the public and a groan by the insiders. In the basement office, the analysts joked about it as if it were a child they had birthed reluctantly.

“Raj called it our Frankenstein,” Sullivan recalls. “He said, ‘We stitched it together from scraps, and now it’s going to walk the earth forever.’ We all laughed, but I think he was right.”


As the comment period closed, Sullivan prepared for the next step: finalization. That would mean sifting through the hundreds of letters, classifying them as supportive, opposed, or confused, and drafting responses that would appear in the preamble of the final rule. The task was both mind-numbing and politically delicate. Each response had to acknowledge the comment, explain why CMS was not persuaded, and assure the reader that the agency cared deeply.

“It was performance art,” Sullivan says. “You had to write as if the agency were a patient listener, when in fact the decision was already made.”

One letter from a cancer advocacy group still lingers in her memory. “They told the story of a woman whose lung cancer recurred, and whose doctor wanted an EGFR test. The claim was denied, and she lost precious weeks. They begged us not to let this happen again.” Sullivan pauses. “We didn’t change the rule. But I never forgot the letter.”


By December 1, 2006, the final rule was published. The number fourteen had survived. The definition of date of service had been enshrined in regulation at §414.510. The die was cast.

Looking back, Sullivan sees the moment as both prosaic and fateful. “It was one line in the Federal Register,” she says. “But it reshaped an industry.”

She smiles wryly. “That’s the thing about bureaucracy. You spend months on it, you publish it, and the world barely notices. And then, years later, you realize you’ve accidentally created a monument.”

 

SIX

 

The Woman Who Invented Fourteen Days

VI. The Aftermath

When the 14 Day Rule took effect on January 1, 2007, nothing happened. At least, nothing visible. Hospitals did not collapse, labs did not shutter, patients were not storming the gates of CMS. It was, in its first weeks, like a stone dropped into a pond whose ripples spread underwater, unnoticed by the ducks.

“The thing about payment rules,” Mary Sullivan says, “is that their impact is rarely immediate. They seep. They work their way into the cracks of billing offices and claims systems. At first, no one knows what’s wrong—only that checks aren’t arriving.”

In the first quarter of 2007, hospital associations declared victory. Their members had been reassured that the rule preserved the DRG’s integrity. Hospital CFOs assumed the laboratories would simply adjust. “Hospitals are built to win by inertia,” Sullivan notes. “They don’t need to be clever, only patient.”

Labs, by contrast, panicked. For national reference labs, accustomed to billing directly for outpatient services, the rule was a shock. Claims for molecular tests ordered within two weeks of discharge were suddenly denied, not by CMS, but by the automated claims-processing systems that implemented the new edit. Phone calls to carriers produced baffling answers. “The date of service falls within the hospital stay,” clerks recited, “and therefore payment is bundled.”

The word bundled became, for a season, a curse in the lab world. Executives used it in investor calls as if describing a natural disaster. At trade meetings, PowerPoint slides explained the new “14 Day Problem” with arrows and timelines. Pathologists whispered about specimens being “hostage” in hospitals.

One midwestern oncologist, quoted in a professional newsletter, captured the absurdity: “I can order a KRAS test on day 13, and the lab won’t get paid. If I wait one more day—day 14—suddenly it’s billable. What happened to the patient in those twenty-four hours? Nothing. What happened to the money? Everything.”


Sullivan, back in her Baltimore office, received a steady stream of letters. Some were indignant, others plaintive. All shared a sense of bewilderment that such a trivial-seeming rule could have such concrete effects. Congressional staffers called, asking her to explain the mechanics to their bosses. “I had one aide tell me he’d tried to brief his senator with a flowchart,” she recalls. “After ten minutes, the senator said, ‘I don’t get it. Just tell me who to yell at.’”

The yelling began. Advocacy groups framed the rule as a barrier to cancer care. Editorials in niche oncology journals denounced it as “bureaucratic overreach.” Labs lobbied Congress for relief. Hospitals, wary of being painted as villains, issued careful statements about their commitment to patient care.

Inside CMS, the mood was defensive. “We had expected confusion,” Sullivan says. “We hadn’t expected melodrama.” She found herself summoned to meetings with senior HHS officials who asked, incredulously, whether the rule had been vetted. “Of course it had,” she told them. “By lawyers, actuaries, clinicians, programmers. The whole orchestra.”

But the orchestra metaphor only went so far. What Sullivan saw was a feedback loop: each time a patient advocacy group told a tragic story, labs amplified it, Congress repeated it, and hospitals scrambled to deny it. “The narratives began to outrun the reality,” she says. “Patients weren’t being denied tests. They were being delayed. Which, in oncology, is bad enough.”


The irony, as Sullivan sees it now, was that the fiercest critics often misunderstood the rule. Many believed it prohibited tests within fourteen days, rather than bundling them into the hospital payment. “I kept trying to explain: the test is allowed. It’s just not separately reimbursed. But that distinction is invisible to patients, and infuriating to labs. They heard: We won’t pay you. Which was, in effect, true.”

The labs adapted by lobbying physicians to delay orders until after the two-week window. This led to its own kind of absurdity: oncologists deliberately waiting to order tests, not for clinical reasons, but for billing ones. “We had created a shadow calendar,” Sullivan says. “Doctors were making decisions not by tumor stage but by Medicare’s stopwatch.”


By late 2007, the fallout had reached Capitol Hill in earnest. Congressional letters to CMS multiplied, each demanding explanations. Senators recited patient anecdotes on the floor. One particularly theatrical representative held up a paraffin block in a hearing, declaring, “This tissue is trapped by bureaucracy.” Sullivan watched the broadcast from her office and sighed. “They made it sound like we had locked the block in a vault,” she says. “In reality, it was sitting in a pathology lab fridge.”

The confusion reached such heights that even senior HHS officials began to distance themselves. At one meeting, an undersecretary asked Sullivan bluntly, “Why did you pick fourteen?” She gave her rehearsed answer about balancing inpatient and outpatient care. The undersecretary frowned. “Why not fifteen?”

She still laughs at the memory. “That was Washington in a nutshell,” she says. “We had gone from life-and-death oncology to a debate about calendar arithmetic.”


For the labs, the financial hit was real. Startups that had banked on rapid growth in molecular testing found themselves squeezed. Some delayed new test launches, fearing the reimbursement morass. Others sued hospitals for nonpayment. A few pivoted to outpatient-only markets. “The rule didn’t kill innovation,” Sullivan says. “But it certainly gave it a limp.”

Hospitals, meanwhile, enjoyed an unearned windfall. Bundling meant they absorbed payments for tests they never performed, and for which they had little incentive to pay outside labs. “Hospitals weren’t malicious,” Sullivan says. “They were just rational actors. Medicare had told them the money was theirs.”


Looking back, Sullivan describes the first year after the rule as a period of “slow dawning horror.” Not because the consequences were catastrophic—they weren’t—but because they were so perversely misaligned with the intent. “We wanted to create clarity,” she says. “Instead we created distortion.”

Yet she also resists the temptation to dramatize. “People say to me, ‘Mary, you changed the future of molecular oncology.’ That’s flattering, but not true. Science was going to move forward no matter what. We just made it stumble over a speed bump.”


The 14 Day Rule would continue to haunt CMS for years, spawning exceptions, carve-outs, and eventual revisions. By the mid-2010s, molecular pathology tests were granted the ability to be billed directly by the performing lab, a concession to reality. But the phrase “14 Day Rule” never died. It became a kind of shorthand, a shibboleth, in lab policy circles. At conferences, speakers would sigh and say, “As you all know, the 14 Day Rule…” and the room would groan in weary recognition.

Sullivan, retired now, follows these echoes with a mixture of pride and resignation. “I wanted to be remembered for being steady, for keeping the machine running,” she says. “Instead I’m remembered for a number. Fourteen.”

She pauses, as if hearing the brass band on the street below, though it is only the hum of the refrigerator in her kitchen. “There are worse legacies,” she says. “At least it’s not thirteen.”

 

 

SEVEN

 

The Woman Who Invented Fourteen Days

VII. Sullivan as a Character

Profiles of government officials tend to fall into one of two modes. Either the subject is portrayed as a heroic reformer, wielding policy like a sword against entrenched interests, or else as a faceless bureaucrat, lost in a forest of forms and acronyms. Mary Sullivan fits neither mold. She is not heroic; nor is she faceless. She is, instead, something rarer: a character who embodies the strange psychology of bureaucracy itself—its combination of dutiful precision and moral evasiveness.

“When people ask what I did at CMS, I usually say, ‘I was a punctuation clerk,’” Sullivan tells me. “It’s not quite true, but it captures the feeling. You spend your days arranging words so that money flows in the intended direction. And then you discover that a comma you moved has made a whole industry furious.”

There is a deliberate modesty in her self-description. Colleagues remember her as one of the most capable managers in the agency, someone who could absorb a torrent of contradictory demands and reduce them to a workable sentence. Yet she cultivates an air of detachment, as if to insist that none of it was truly hers. “I didn’t invent the payment system,” she says. “I just kept the gears greased.”


Sullivan’s character is shaped, in part, by the contradictions of her career. She rose to authority in an institution that prizes anonymity. CMS administrators are rarely known outside their narrow circles; their signatures appear in the Federal Register, but not in newspapers. “We weren’t like NIH, with celebrity scientists,” she says. “At CMS, your reward was surviving another rule cycle without Congress yelling too loudly.”

And yet, paradoxically, she became notorious—at least among labs—for a single definition. The 14 Day Rule turned her, briefly, into a figure of fascination. She was quoted in trade press, invited to panels, denounced at conferences. “It was bizarre,” she recalls. “I’d be introduced as ‘the woman who gave us fourteen days,’ as if I had done it to amuse myself.”

The irony, she says, is that the number was not even hers. It emerged from the collective muddle of meetings, drafts, and compromises. But in bureaucracy, responsibility tends to coalesce around a face. Sullivan’s face.


To understand her, one must accept the peculiar neutrality of the bureaucrat’s worldview. For Sullivan, decisions were rarely about right or wrong. They were about feasible or unfeasible, defensible or indefensible, stable or unstable. “We weren’t ethicists,” she says. “We were engineers of payment systems. Our morality was whether the claims processed.”

This detachment could sound chilling. When I ask whether she ever worried about patients harmed by delays, she tilts her head, as if weighing the question on an invisible scale. “I worried,” she says. “But I also knew that every policy creates both harm and benefit. The hospital that loses money on one rule may survive because of another. The patient who waits for a test may benefit from a different coverage expansion. It’s a system, not a morality play.”

And yet, beneath her words, there is an undercurrent of unease. She admits that certain stories—the widow whose husband’s cancer test was delayed, the young oncologist pleading for an exception—stayed with her. “I told myself it was anecdote,” she says. “But anecdote is what policy looks like up close.”


Janet Malcolm once wrote that journalists, like psychoanalysts, are engaged in a form of betrayal: they expose the private logic of their subjects to the public gaze. Writing about Sullivan, I feel a different tension—that of revealing the moral gymnastics of bureaucracy. To listen to her is to glimpse how intelligent people reconcile themselves to decisions that appear, in retrospect, both arbitrary and consequential.

“I don’t think of myself as cynical,” Sullivan says. “But I do think of myself as realistic. If you can’t live with compromise, you shouldn’t work in government.”

Her realism sometimes veers into fatalism. She describes the policymaking process as “a river you can steer, but never dam.” You push the current toward clarity, and hope it doesn’t flood the wrong villages. “The 14 Day Rule was a levee,” she says. “It held back chaos. It also diverted water where we didn’t expect.”


Her colleagues describe her as calm, dryly humorous, allergic to melodrama. She had little patience for ideological grandstanding. Once, when a consultant delivered an impassioned speech about “saving the future of genomic medicine,” Sullivan is said to have replied, “That’s nice, but we need to know whether your CPT code has a valid modifier.”

Her humor, however, is not cruelty. It is survival. Bureaucrats, like nurses and undertakers, cope with the proximity of human drama by focusing on the technical details. “If you dwell on the stakes,” she says, “you paralyze yourself. So you dwell on the words.”


There is also, in Sullivan, a distinctly feminine pragmatism. She came of age in an agency still dominated by men, where authority was performed in booming voices and thick binders. She preferred quiet competence. “Mary never raised her voice,” a former analyst tells me. “She didn’t need to. She had the patience of someone who knew she would outlast you.”

That patience defined her management style. She let staff argue, vent, even insult one another, before gently steering the conversation back to the regulation at hand. “You never left Mary’s office thinking you’d won,” the analyst says. “But you always left thinking you’d been heard.”

In New Orleans, she describes herself more bluntly. “I was a sponge,” she says. “I absorbed the anger, the fear, the self-interest. And then I wrung it out into a regulation.”


The paradox of her legacy is that she is remembered for a number that she neither cherished nor despised. “I don’t love fourteen,” she says. “I don’t hate fourteen. Fourteen was just… available.”

She compares it to the way jazz musicians in the Quarter improvise on a standard. “You take what’s there—a melody, a chord change—and you bend it. You don’t plan every note. You make do. Policy is like that. Fourteen was a riff.”

Listening to her, I am struck by the banality of the origin and the intensity of the aftermath. The industry reads epic meaning into the rule; Sullivan sees only the residue of compromise. “I think people want policy to have intention,” she says. “They want to believe someone thought it all through. The truth is, a lot of policy is cobbled together from duct tape and half measures. Fourteen is the duct tape.”


As she speaks, a brass band begins to play outside—an afternoon wedding procession. The music is joyful, messy, improvised. Sullivan leans on the balcony rail, watching. “I used to think bureaucracy was dull,” she says. “Now I see it’s a kind of jazz. Everyone blows their own tune, and you try to make it sound like a song.”

She pauses, then adds: “The only difference is that in jazz, no one sues you afterward.”

 

 

EIGHT

 

The Woman Who Invented Fourteen Days

VIII. Reflection in the Quarter

In the mornings, Mary Sullivan walks to the French Market for coffee and fruit. She nods to the vendors who know her by sight, if not by name. On Saturdays, she listens to the brass bands that stake out the corners of Royal Street, their horns flashing in the sunlight. The rhythms of New Orleans life are slow, unhurried, improvisational. They are everything the rhythms of CMS were not.

“It’s a relief,” she says. “For thirty years, my days were measured in deadlines—proposed rule, comment period, final rule. Now they’re measured in parades.”

And yet, she cannot fully leave behind the calendar she helped to invent. The 14 Day Rule follows her like a ghost. Former colleagues still call for her recollection of “original intent.” Younger analysts cite her name in footnotes. Lab executives, upon discovering her identity at a conference, have been known to lean in with an accusatory smile: So you’re the one.

She doesn’t resent it. “At least it means I left a mark,” she says. “Most bureaucrats leave only dust.”


The irony of her legacy is not lost on her. The 14 Day Rule was meant to be a temporary clarification, a modest fix to a definitional problem. Instead it became a permanent irritant, a policy every stakeholder knew by name. “In Washington, nothing is so permanent as the temporary,” she says.

This permanence is what unsettles her in retrospect. “We assumed Congress would revisit it. We assumed the industry would adapt and move on. We assumed someone, somewhere, would improve on it. Instead, it calcified. Fourteen days became gospel.”

It is the paradox of bureaucracy: the very tools designed to make policy flexible—the proposed rule, the comment period, the annual updates—can also fossilize it. Once a rule is written into the Code of Federal Regulations, it acquires an inertia all its own. “Undoing a regulation,” Sullivan says, “is harder than writing one.”


In the French Quarter, she reflects on this with a kind of amused fatalism. “When you’re young, you think you’ll make bold changes. When you’re old, you realize your real accomplishment was to keep the machine from collapsing. The 14 Day Rule was not bold. It was ballast.”

I ask whether she ever regrets it. She shakes her head. “I don’t regret. But I do wonder. If we had chosen ten, or twenty-one, or thirty, would the world look different? Probably not. But maybe a few patients would have gotten their tests sooner. Maybe a few labs would have survived longer.” She shrugs. “It’s impossible to know. Bureaucracy doesn’t give you counterfactuals.”


What she has, instead, is the freedom of retirement. Her days are filled with small pleasures: a good novel, a stroll down Chartres Street, the sound of jazz seeping through open shutters. Sometimes she attends policy conferences as a kind of anthropological tourist. “I sit in the back, unrecognized, and listen to people argue about rules I helped write fifteen years ago,” she says. “It’s like watching a play you once acted in. You remember your lines, but the cast has changed.”

At one such meeting, she heard a panelist declare that the 14 Day Rule had “nearly strangled innovation.” She chuckled quietly. “I wanted to stand up and say, ‘If a number in the Federal Register can strangle your innovation, maybe it wasn’t that robust to begin with.’ But I stayed quiet. Retirement has taught me the virtue of silence.”


Sullivan’s reflections carry the dry detachment of someone who has lived inside bureaucracy long enough to see its absurdity and its inevitability. She describes CMS as “a factory for paradoxes.” It was an institution that could change the fate of billion-dollar industries with a comma, yet remained invisible to the public. It employed some of the brightest minds in health policy, yet was derided as faceless. It was both overbearing and underpowered, both feared and ignored.

Her own career reflects these paradoxes. She wielded immense influence, but rarely felt powerful. She made decisions that affected millions, but never thought of herself as a decider. “Power in bureaucracy,” she says, “is not like power in politics. It’s not a spotlight. It’s a lever in a machine. You pull, and something moves. You don’t always know what.”


In the style of Janet Malcolm, one is tempted to ask: what kind of person reconciles herself to such a role? The answer, in Sullivan’s case, is someone who takes solace in precision. She found meaning not in grand narratives but in clean sentences, in rules that ran without contradiction. Her satisfaction came from seeing chaos reduced to an edit in a claims system.

And yet, there is also a trace of melancholy. “I spent my life writing definitions,” she says. “And definitions are cages. They capture reality, but they also distort it. The 14 Day Rule captured something—it drew a line. But it also distorted care in ways we couldn’t foresee.”


Late in the afternoon, as the sun slants over the Quarter, she tells me a story. Shortly after retiring, she received a letter from a molecular pathologist she had never met. It was handwritten, in looping script. “He thanked me,” she says, “for creating a rule that forced his company to be more innovative. They had to redesign their tests to fit around the payment window. He said it made them better.”

She laughs. “That was the only thank-you note I ever got for the 14 Day Rule.”


In the end, what does she think her legacy is? She considers the question carefully, as if drafting a preamble to her own obituary. “I think my legacy is that I kept the system moving,” she says. “Not gracefully, not perfectly, but moving. And maybe that’s all you can ask.”

On the street below, another brass band has begun. The music is raucous, joyful, slightly off-key. Sullivan leans on her balcony rail, watching the parade snake past. “This is how I like to think of bureaucracy,” she says. “Messy, noisy, full of competing voices. Somehow it keeps going forward.”

She smiles, faintly. “Fourteen days. Half a month. Hardly anything. And yet, somehow, forever.”

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AND IN THE STYLE OF TRUMAN CAPOTE

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Here’s a ~1,000 word interview profile of Mary Sullivan in the French Quarter, written in the style of Truman Capote — lush, observant, slightly gothic, blending fact and atmosphere.


The Woman with Fourteen Days

The rain in New Orleans was of the soft, insinuating kind, the kind that slicks the cobblestones of Chartres Street until they gleam like lacquered wood. At the corner of a wrought-iron balcony, overlooking the street below, sat Mary Sullivan. She was small, birdlike, her hair cut short, her glasses catching the dim light as though they were meant to shield her from memory as much as the late afternoon.

I had come to ask her about a rule—about fourteen days, about a sentence in the Federal Register that had become an axis for laboratories, hospitals, and cancer patients. But what I found was a woman who had survived bureaucracy like a soldier survives a war: with scars disguised as anecdotes, with laughter disguising fatigue.

“People think the 14 Day Rule was a grand conspiracy,” she said, setting down her coffee. “It wasn’t. It was an accident that calcified.” She smiled faintly, as if the words were a secret shared only with the rain.


Capote, had he been here, might have lingered on the way her hands folded when she spoke—neatly, carefully, like two files being aligned. She had spent her career at CMS, writing definitions that looked like nothings and became everythings. The 14 Day Rule was her legacy, though she wore it the way an ex-con wears an old number: grimly, ironically, but without shame.

“I live in a place now where rules are ornamental,” she said, gesturing toward the Quarter below, where a man in a white suit and Panama hat strolled by with a woman much younger than himself. “There are noise ordinances here, but the brass bands play through the night. There are open-container laws, but everyone carries a drink. It’s liberating, really. After decades of parsing commas, I live in a place where commas are ignored.”

Her voice was low, but decisive. There was no mistaking the steel behind it.


We spoke of origins. She had grown up in Massachusetts, the daughter of a postal worker and a school secretary, raised on the logic of schedules. Her father believed in the holiness of timetables: the mail came at eleven, lunch at twelve-thirty, supper at six. Her mother kept report cards with the careful pride of an archivist. Mary, surrounded by definitions of days and duties, found her vocation early. “I suppose I was destined to define time,” she said. “Fourteen days was just an extension of my childhood.”

When she came to Washington, she was not looking for glory. “I wanted a steady job. I wanted to be useful.” She found herself at HCFA, later CMS, immersed in the first great upheaval of Medicare: the DRGs, the prospective payment system, the transformation of hospitals from open ledgers to closed bundles. “I liked it,” she admitted. “It was clean. It was logical. Until it wasn’t.”


Her account of the 14 Day Rule has the quality of gothic comedy. A definition meant to clarify became a trap; a number chosen almost casually became a shibboleth. “We thought we were fixing a billing problem,” she said. “Instead, we created a world where oncologists marked calendars like children waiting for Christmas.”

She leaned back in her chair, and her laugh was short, brittle. “Fourteen days. Not thirteen, not fifteen. Fourteen. The mind reels.”


Around us, the Quarter pulsed. A trumpet somewhere wailed, joined by a tuba, then drums. The music swelled, intrusive, joyous. Sullivan watched with the expression of someone who has learned to see systems in every scene. “That’s bureaucracy,” she murmured. “A brass band. Everyone blowing their own horn, but somehow moving in one direction.”

Capote might have lingered here, describing the shadows against the peeling pastel walls, the puddles reflecting neon signs, the mournful grandeur of a place where celebration and decay are twins. For Sullivan, the city was a mirror of her work: improvisational, contradictory, absurd.


I asked her if she regretted it—if she wished she had chosen a different number, or no number at all. She tilted her head, the birdlike gesture again, her eyes narrowing. “Regret is for novelists,” she said. “In government, you don’t have that luxury. You make a compromise, you put it in writing, and you live with it. If you regret every compromise, you drown.”

There was a pause. Then she added, almost softly: “But I do wonder. About the patients who waited. About the labs that folded. I wonder if a few days mattered.”

The silence after her words was filled by the hiss of tires on wet streets.


She described the meetings, the listening sessions in Baltimore. Hospitals in navy suits, labs with binders thick as dictionaries, patients who rose and told stories that hushed the room. “Everyone was sincere,” she said. “That was the problem. Sincerity was everywhere, but sincerity couldn’t reconcile contradictions. Sincerity doesn’t balance a budget.”

I thought of Capote’s Kansas interviews, his ability to render bureaucrats and killers with equal intimacy. Sullivan, though not tragic, possessed that same implacable ordinariness. She was a woman whose life had intersected with countless lives she would never meet, in ways she could neither foresee nor undo.


In retirement, she has adopted a kind of stoic irony. She tells her story without embellishment, as though it belongs to someone else. “I was a punctuation clerk,” she repeats. “I adjusted commas. The rest is interpretation.”

And yet, she is aware of her notoriety. “In certain circles, I am infamous,” she said, smiling faintly. “At lab conferences, people whisper. Fourteen days! As if I were a villain in a fairy tale.” She shook her head. “I am no villain. I am just the woman who made a choice. Fourteen days was the choice. History did the rest.”


The rain stopped. The air smelled of magnolia and beer. Down the street, the brass band had grown louder, its beat irresistible. Tourists fell in behind it, second-lining, waving handkerchiefs in the humid air. Sullivan leaned on the balcony rail, watching.

“This is my life now,” she said. “Not rulemaking. Watching parades.”

She spoke with a kind of quiet finality. But then, almost as an afterthought, she added: “And yet, the phone still rings. Young staffers call and ask: What did you mean, back then, when you wrote it? I tell them the truth. We didn’t mean anything. We meant to survive the year.”


Capote would have ended here, with the image of the retired bureaucrat gazing down on a parade, haunted by a number, unrepentant but not untouched. I end here too, with Mary Sullivan leaning on her balcony, the Quarter alive below, and the faint echo of fourteen days lingering in the air, like a refrain.